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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aMusical Performance$b[electronic resource] $eA Philosophical Study
210   $aHoboken $cTaylor and Francis$d2002
215   $a1 online resource (181 p.)
300   $aDescription based upon print version of record.
311   $a0-415-19128-9 
311   $a0-415-19129-7 
327   $aBook Cover; Title; Contents; Acknowledgements; Introduction; Central aspects of performance; A model of musical performance; Skills and Guilds; Challenges to the model; Performances and musical works; Computers, readymades, and artistic agency; Experiments with musical agency; Artists, programs, and performance; Notes; Bibliography; Index
330   $aMost music we hear comes to us via a recording medium on which sound has been stored. Such remoteness of music heard from music made has become so commonplace it is rarely considered.  Musical Performance: A Philosophical Study considers the implications of this separation for live musical performance and music-making. Rather than examining the composition or perception of music as most philosophical accounts of music do,  Stan Godlovitch takes up the problem of how the tradition of active music playing and performing has been challenged by technology and what problems this poses 
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606   $aPhilosophy and aesthetics
606   $aMusic$xPhilosophy and aesthetics
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606   $aMusic Philosophy$2HILCC
606   $aMusic$2HILCC
606   $aMusic, Dance, Drama & Film$2HILCC
615  4$aMusic.
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615  4$aPhilosophy and aesthetics.
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615  7$aMusic
615  7$aMusic, Dance, Drama & Film
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