LEADER 03421nam 2200709 450 001 9910819455103321 005 20230807213709.0 010 $a3-11-035953-7 010 $a3-11-038684-4 024 7 $a10.1515/9783110359534 035 $a(CKB)3710000000359856 035 $a(EBL)1663155 035 $a(SSID)ssj0001457439 035 $a(PQKBManifestationID)11865004 035 $a(PQKBTitleCode)TC0001457439 035 $a(PQKBWorkID)11441329 035 $a(PQKB)10683525 035 $a(DE-B1597)426235 035 $a(OCoLC)948656045 035 $a(OCoLC)952806751 035 $a(DE-B1597)9783110359534 035 $a(MiAaPQ)EBC1663155 035 $a(Au-PeEL)EBL1663155 035 $a(CaPaEBR)ebr11049547 035 $a(CaONFJC)MIL808020 035 $a(OCoLC)921944575 035 $a(EXLCZ)993710000000359856 100 $a20150107h20152015 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe ends of satire $elegacies of satire in postwar German writing /$fDaniel Bowles 210 1$aBerlin ;$aBoston :$cDe Gruyter,$d[2015] 210 4$dİ2015 215 $a1 online resource (240 p.) 225 0 $aParadigms-- Literature and the human sciences ;$vvolume 2 300 $aDescription based upon print version of record. 311 $a3-11-035935-9 320 $aIncludes bibliographical references and index. 327 $aAcknowledgments -- Introduction: Satire around 1800: Jean Paul -- Prolegomena -- The case of Jean Paul: unreadable writing, unwritable readings 16 -- Part One: Inversion -- The carnivalesque in Mikhail Bakhtin's Rabelais and his World (1965) -- Perspective and repetition in Thomas Bernhard's Woodcutters (1984) -- Destructive negativity: Thomas Bernhard and Extinction (1986) -- Part Two: Mythification -- Between theory and literature: Roland Barthes' Mythologies (1957) -- Elfriede Jelinek's Mythic Lust (1989) -- Viennese paradigms in Elfriede Jelinek's The Piano Teacher (1983) -- Part Three: Citation -- From stage to page: Judith Butler and Gender Trouble (1990) -- Performing theory in literature: Thomas Meinecke's Tomboy (1998) -- Infinite Paradise of the Infinite Text: Thomas Meinecke's Music (2004) -- Conclusion: Satire after Satire. 330 2 $a"How are we to think of satire if it has ceased to exist as a discrete genre? This study proposes a novel solution, understanding the satiric in the postwar era as a set of writing practices: figures of inversion, myth-making, and citation. By showing how writers and theorists alike deploy these devices in new contexts, this book reexamines the link between German postwar writing and the history of satire, and between literature and theory." --$cProvided by publisher. 410 0$aParadigms 606 $aSatire, German$xHistory and criticism 606 $aGerman literature$y20th century$xHistory and criticism 610 $aGerman. 610 $aProse. 610 $aSatire. 610 $aTheory. 615 0$aSatire, German$xHistory and criticism. 615 0$aGerman literature$xHistory and criticism. 676 $a837/.009 686 $aGN 1701$2rvk 700 $aBowles$b Daniel James$f1981-$01711405 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819455103321 996 $aThe ends of satire$94102694 997 $aUNINA