LEADER 03122nam 2200625Ia 450 001 9910819432303321 005 20240417040329.0 010 $a0-7914-8975-2 010 $a0-585-45028-5 035 $a(CKB)111087027853168 035 $a(OCoLC)52418388 035 $a(CaPaEBR)ebrary10587302 035 $a(SSID)ssj0000245023 035 $a(PQKBManifestationID)11203068 035 $a(PQKBTitleCode)TC0000245023 035 $a(PQKBWorkID)10174620 035 $a(PQKB)10525539 035 $a(MiAaPQ)EBC3408103 035 $a(MdBmJHUP)muse5814 035 $a(Au-PeEL)EBL3408103 035 $a(CaPaEBR)ebr10587302 035 $a(DE-B1597)683798 035 $a(DE-B1597)9780791489758 035 $a(EXLCZ)99111087027853168 100 $a20010124d2002 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aShakespeare in the cinema$b[electronic resource] $eocular proof /$fStephen M. Buhler 205 $a1st ed. 210 $aAlbany $cState University of New York Press$dc2002 215 $a1 online resource (227 p.) 225 0 $aThe SUNY series, cultural studies in cinema/video 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7914-5139-9 320 $aIncludes bibliographical references (p. 195-202) and indexes. 327 $tFront Matter -- $tContents -- $tIllustrations -- $tAcknowledgments -- $tIntroduction: The Shakespeare Test -- $tOcular Proof: Three Versions of Othello -- $tDocumentary Shakespeare -- $tShakespeare and the Screen Idol -- $tShakespeare the Filmmaker -- $tThe Revenge of the Actor-Manager -- $tTransgressive, in Theory -- $tGaining in Translation -- $tConclusion: The Next Century of Shakespeare -- $tWorks Cited -- $tIndex Of Shakespearean Plays and Films -- $tGeneral Index 330 $aOffering a comprehensive look at the strategies that filmmakers have employed in adapting Shakespeare's plays to the cinema, this book investigates what the task of Shakespearean adaptation reveals about film in general and focuses on patterns and approaches shared by various cinematic works. Buhler provides concise histories of each general strategy, which include non-illusionistic cinema, documentary interpretations, mass-market productions, transgressive and transnational cinema, and approaches that see film as either distinct from the stage or as an extension of theatrical traditions. The book spans more than a century of film, starting with the 1899 King John and extending through Michael Hoffman's A Midsummer Night's Dream, Julie Taymor's Titus, and later releases. 606 $aEnglish drama$vFilm adaptations 606 $aMotion pictures$xHistory 606 $aFilm adaptations 615 0$aEnglish drama 615 0$aMotion pictures$xHistory. 615 0$aFilm adaptations. 676 $a791.43/6 700 $aBuhler$b Stephen M.$f1954-$0572541 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819432303321 996 $aShakespeare in the cinema$91065148 997 $aUNINA