LEADER 02011nam 2200349 450 001 9910819408603321 005 20230809235137.0 010 $a3-8382-7025-8 035 $a(CKB)4340000000252637 035 $a(MiAaPQ)EBC5276166 035 $a(EXLCZ)994340000000252637 100 $a20180424d2017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aAgainst reason $eSchopenhauer, Beckett and the aesthetics of irreducibility /$fAnthony Barron ; with a foreword by Matthew Feldman 210 1$aStuttgart, Germany :$cIbidem-Verlag,$d[2017] 210 4$dİ2017 215 $a1 online resource (xxiii, 380 pages) 330 $aAnthony Barron explores the relationship between the philosophy of Schopenhauer and the forms and themes of Beckett's critical and creative writings. He shows that Beckett's aesthetic preoccupations are consonant with some of Schopenhauer's seminal arguments regarding the arational basis of artistic composition and appreciation and the impotence of reason in human affairs. While Beckett's critical writings are, in places, formidably opaque, this work examines the ways in which such texts can be elucidated when their intertextual affinities with Schopenhauer's arguments are revealed. Using Schopenhauer's thought as a presiding interpretative framework, Barron demonstrates how the widespread presence of philosophical and theological ideas in Beckett's creative texts signifies less about his personal convictions than it does about his authorial aims. He thereby highlights the ways in which discursive ideas were appropriated and manipulated by Beckett for purely literary ends -- Back cover. 676 $a111.85092 700 $aBarron$b Anthony$01710620 702 $aFeldman$b Matthew 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819408603321 996 $aAgainst reason$94101417 997 $aUNINA