LEADER 02195nam 2200613Ia 450 001 9910780018103321 005 20230607213728.0 010 $a1-280-92251-6 010 $a9786610922512 010 $a1-102-00903-2 010 $a0-585-42724-0 035 $a(CKB)111056487029142 035 $a(OCoLC)50861608 035 $a(CaPaEBR)ebrary10188415 035 $a(SSID)ssj0000344835 035 $a(PQKBManifestationID)12115621 035 $a(PQKBTitleCode)TC0000344835 035 $a(PQKBWorkID)10315592 035 $a(PQKB)10309034 035 $a(MiAaPQ)EBC291810 035 $a(MiAaPQ)EBC4962268 035 $a(Au-PeEL)EBL291810 035 $a(CaPaEBR)ebr10188415 035 $a(OCoLC)437178444 035 $a(Au-PeEL)EBL4962268 035 $a(CaONFJC)MIL92251 035 $a(OCoLC)1027198460 035 $a(EXLCZ)99111056487029142 100 $a20021025d2002 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAndrea Che?nier$b[electronic resource] /$fadapted from the Opera Journeys lecture series by Burton D. Fisher 210 $aCoral Gables, FL $cOpera Journeys$d2002 215 $a1 online resource (34 p.) 225 1 $aOpera Journeys mini guide series 300 $a"Opera in Italian opera in four acts, music by Umberto Giordano ; libretto by Luigi Illica, after the original poems by Andre? Marie de Che?nier, written while he was in prison during the Reign of Terror in 1794, just before his execution." 311 $a1-930841-55-8 330 $aA comprehensive opera-guide, featuring Principal Characters in the Opera, Brief Story Synopsis, Story Narrative with Music Highlight Examples, and Burton D. Fisher's insightful and in depth Commentary and Analysis. 410 0$aOpera Journeys mini guide series. 606 $aOperas$vStories, plots, etc 615 0$aOperas 676 $a782.10269 700 $aFisher$b Burton D$01472436 712 02$aOpera Journeys Publishing. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910780018103321 996 $aAndrea Che?nier$93768286 997 $aUNINA LEADER 04410nam 2200901 450 001 9910819379803321 005 20230912130056.0 010 $a1-282-01439-0 010 $a9786612014390 010 $a1-4426-7876-3 024 7 $a10.3138/9781442678767 035 $a(CKB)2420000000004294 035 $a(OCoLC)666906260 035 $a(CaPaEBR)ebrary10218751 035 $a(SSID)ssj0000306929 035 $a(PQKBManifestationID)11238178 035 $a(PQKBTitleCode)TC0000306929 035 $a(PQKBWorkID)10308420 035 $a(PQKB)11760215 035 $a(CaBNvSL)thg00600140 035 $a(DE-B1597)464776 035 $a(OCoLC)1013955915 035 $a(OCoLC)944177550 035 $a(DE-B1597)9781442678767 035 $a(Au-PeEL)EBL4671855 035 $a(CaPaEBR)ebr11257545 035 $a(CaONFJC)MIL201439 035 $a(OCoLC)958565091 035 $a(OCoLC)1320935383 035 $a(MdBmJHUP)musev2_105120 035 $a(VaAlCD)20.500.12592/vqwzrn 035 $a(schport)gibson_crkn/2009-12-01/6/418169 035 $a(MiAaPQ)EBC4671855 035 $a(MiAaPQ)EBC3254846 035 $a(EXLCZ)992420000000004294 100 $a20160923h20012001 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPrivate interests $ewomen, portraiture, and the visual culture of the English novel, 1709-1791 /$fAlison Conway 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2001. 210 4$dİ2001 215 $a1 online resource (334 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8020-3526-4 320 $aIncludes bibliographical references and index. 327 $aThe novel and the portrait in eighteenth-century England -- Envisioning literary interest: Manley's The New Atalantis -- "Ravished sight": picturing Clarissa -- Refiguring virtue: The history of Miss Betsy Thoughtless and Amelia -- "Paint her to your own mind": Sterne's concupiscible narratives -- Portraits of the woman artist: Kauffman, Wollstonecraft, and Inchbald. 330 $aThis ambitious interdisciplinary study undertakes a new definition of the eighteenth-century novel's investment in vision and visual culture, tracing the relationship between the development of the novel and that of the equally contentious genre of the portrait, particularly as represented in the novel itself. Working with the novels of Richardson, Fielding, Haywood, Manley, Sterne, Wollstonecraft and Inchbald, and the portraits of Reynolds, Gainsborough, Highmore, Hudson, Hogarth, and others, Private Interests points to the intimate connections between the literary works and the paintings. Arguing that the novel's representation of the portrait sustains a tension between competing definitions of private interests, Conway shows how private interests are figured as simultaneously decorous and illicit in the novel, with the portrait at once an instrument of propriety and of scandal. Examining women's roles as both authors of and characters in the novel and the novel's encounters with the portrait, the author provides a new definition of private interests, one which highlights the development of women's agency as both spectacles and spectators. 606 $aEnglish fiction$y18th century$xHistory and criticism 606 $aArt and literature$zEngland$xHistory$y18th century 606 $aWomen and literature$zEngland$xHistory$y18th century 606 $aVisual perception in literature 606 $aPortraits in literature 606 $aWomen in literature 607 $aEnglisch$2swd 607 $aEngland$2fast 608 $aLivres numeriques. 608 $aHistory. 608 $aCriticism, interpretation, etc. 608 $ae-books. 608 $aElectronic books. 615 0$aEnglish fiction$xHistory and criticism. 615 0$aArt and literature$xHistory 615 0$aWomen and literature$xHistory 615 0$aVisual perception in literature. 615 0$aPortraits in literature. 615 0$aWomen in literature. 676 $a823/.509357 700 $aConway$b Alison Margaret$01616274 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819379803321 996 $aPrivate interests$94099613 997 $aUNINA