LEADER 03348nam 22005051 450 001 9910819370703321 005 20200514202323.0 010 $a1-83871-597-5 010 $a1-83871-150-3 010 $a1-84457-561-6 024 7 $a10.5040/9781838711504 035 $a(CKB)3710000000738267 035 $a(MiAaPQ)EBC4762954 035 $a(OCoLC)966400223 035 $a(UkLoBP)bpp09264198 035 $a(EXLCZ)993710000000738267 100 $a20190919d2010 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aGodard /$fby Richard Roud 205 $aFirst edition. 210 1$aLondon :$cBritish Film Institute,$d2010. 215 $a1 online resource (214 pages) $cillustrations, photographs 225 1 $aBFI silver 300 $aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. 311 $a1-84457-355-9 311 $a1-84457-354-0 320 $aIncludes bibliographical references. 327 $aIntroduction to the 2010 Edition by Michael Temple.- Introduction to the 1970 Edition.- The Outsider.- Politics.- Narration.- Reality and Abstraction.- France, American style.- La Chinoise and After: The Damascus Road.- Appendix: Shorts and Sketches.- Updated Filmography. 330 $a"Richard Roud's Godard, first published in 1967 as 'Number One' in the seminal Cinema One series, was the first monograph on the great film-maker to be published in English, and one that reveals a unique intimacy between the author and his subject. Roud's provocative and far-reaching analysis shows an intuitive understanding of the aesthetic, intellectual and political context in which Godard worked, paying particular attention to his 'political' cinema, including the ferocious masterpiece Weekend (1967). In his foreword to this reissue, Michael Temple provides an overview of film criticism on Godard, arguing that, more than forty years since its publication, Roud's book remains at the forefront of writings on the director. Temple pinpoints how Roud was uniquely placed as a contemporary of Godard's to follow the film-maker's career from one explosive film to the next, charting the course of the Godardian star even as Roud's own career as a critic and festival programmer was unfolding. He contends that Roud's study was 'a pure product - and a faithful reflection - of a certain tendency in British film culture at the end of the 1960s: cine?phile, progressive, European, intellectual, metropolitan.' For Temple, Roud's work remains a lucid summary of what Godard had already achieved by the end of the 1960s, and provides a suggestive model of cultural criticism with which to approach subsequent aspects of Godard's multimedia artistic adventure."--Bloomsbury Publishing. 410 0$aBFI silver. 606 $aMotion pictures$xHistory 615 0$aMotion pictures$xHistory. 676 $a791.430233092 700 $aRoud$b Richard$0222382 801 0$bUtOrBLW 801 1$bUtOrBLW 801 2$bUkLoBP 906 $aBOOK 912 $a9910819370703321 996 $aGodard$94099531 997 $aUNINA