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024 7 $a10.1093/oso/9780195068917.001.0001
035   $a(CKB)111004366525790
035   $a(EBL)272352
035   $a(OCoLC)47008864
035   $a(SSID)ssj0000207049
035   $a(PQKBManifestationID)11189473
035   $a(PQKBTitleCode)TC0000207049
035   $a(PQKBWorkID)10235453
035   $a(PQKB)11267522
035   $a(Au-PeEL)EBL272352
035   $a(CaPaEBR)ebr10279494
035   $a(MiAaPQ)EBC272352
035   $a(OCoLC)1406784138
035   $a(StDuBDS)9780197728611
035   $a(EXLCZ)99111004366525790
100   $a19971208e20231997  |y         |
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aMusic and the silent film $econtexts and case studies, 1895-1924 /$fMartin Miller Marks$b[electronic resource]
210  1$aNew York ;$cOxford University Press,$d2023.
215   $a1 online resource (320 p.)
225 1 $aOxford scholarship online
300   $aRevision of the author's thesis (doctoral)--Harvard University, 1990.
300   $aPreviously issued in print: 1997.
311   $a0-585-35077-9 
311   $a0-19-506891-2 
320   $aIncludes bibliographical references and index.
327   $aContents; Appendix Contents; List of Figures; ONE: Film and Music: An Introduction to Research; TWO: First Stages, Dimly Lit: Sources and Scores Prior to 1910; THREE: Film Scores in America, 1910-14; FOUR: Breil's Score for The Birth of a Nation; FIVE: Erik Satie's Score for Entr'acte; Appendix; Notes; Index
330 8 $aMost people's view of silent film music is of a pianist playing old scores while watching the flickering screen. This title shows that there was much more to silent films and that often it was planned from the start as an integral part of the film. The author argues that film scores are a major and vibrant part of 20th century music.
410  0$aOxford scholarship online.
606   $aSilent film music$xHistory and criticism
615  0$aSilent film music$xHistory and criticism.
676   $a781.5/42
700   $aMarks$b Martin Miller$01665533
801  0$bDLC
801  1$bDLC
801  2$bUk
801  2$bStDuBDSZ
801  2$bStDuBDSZ
906   $aBOOK
912   $a9910819349803321
996   $aMusic and the silent film$94024204
997   $aUNINA