LEADER 01324nam--2200421---450- 001 990001242440203316 005 20130103105408.0 035 $a000124244 035 $aUSA01000124244 035 $a(ALEPH)000124244USA01 035 $a000124244 100 $a20031105d1979----km-y0itay0103----ba 101 0 $aeng 102 $aUK 105 $aa|||||||001yy 200 1 $aPlotinian and christian studies$fA.H. Armstrong 210 $aLondon$cVariorum Reprints$d1979 215 $a1 volume (paginazione varia)$c1 ritr.$d22 cm 225 2 $aCollected studies series$vCS102 410 0$12001$aVariorum Reprint$vCS102 600 $aPlotino$2BNCF 676 $a186.4 700 1$aARMSTRONG,$bArthur Hilary$044413 801 0$aIT$bsalbc$gISBD 912 $a990001242440203316 951 $aX.1. Coll.35/ 27(Varie coll. 434/102)$b88812 L.M.$cVarie coll. 951 $aXV.8. 658$b223170 L.M.$cXV.8. 959 $aBK 969 $aUMA 969 $aFSO 979 $aSIAV1$b10$c20031105$lUSA01$h1333 979 $aSIAV1$b10$c20031105$lUSA01$h1334 979 $aPATRY$b90$c20040406$lUSA01$h1729 979 $aCOPAT4$b90$c20050126$lUSA01$h1337 979 $aCOPAT7$b90$c20060929$lUSA01$h1005 979 $aIANNONE$b90$c20130103$lUSA01$h1054 996 $aPlotinian and christian studies$9476016 997 $aUNISA LEADER 03161nam 2200601 450 001 9910819327503321 005 20221114044326.0 010 $a1-62103-959-5 035 $a(CKB)2560000000154652 035 $a(EBL)1113449 035 $a(OCoLC)818985742 035 $a(SSID)ssj0001185251 035 $a(PQKBManifestationID)12521647 035 $a(PQKBTitleCode)TC0001185251 035 $a(PQKBWorkID)11198645 035 $a(PQKB)11566749 035 $a(StDuBDS)EDZ0000204135 035 $a(MiAaPQ)EBC1113449 035 $a(Au-PeEL)EBL1113449 035 $a(CaPaEBR)ebr11080352 035 $a(CaONFJC)MIL812410 035 $a(MdBmJHUP)musev2_85995 035 $a(EXLCZ)992560000000154652 100 $a20121116d2013 ub| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aJapanese animation $eEast Asian perspectives /$fedited by Masao Yokota and Tze-yue G. Hu 210 1$aJackson, Mississippi :$cUniversity Press of Mississippi,$d2013. 215 $a1 online resource (326 p.) 300 $aDescription based upon print version of record. 311 $a1-62846-179-9 311 $a1-61703-809-1 320 $aIncludes bibliographical references and index. 327 $aAnimation Studies and Animation History in Japan -- Pioneers of Japanese Animation -- Popular Culture, East-West Expressions, and Tezuka Osamu -- Female Characters and Transnational Identities -- Artistic Animation and Expression in Japan -- Japan's First Commercial Animation Studio after the Second World War: Toei. 330 $a"Japanese Animation: East Asian Perspectives makes available for the first time to English readership a selection of viewpoints from media practitioners, designers, educators, and scholars working in the East Asian Pacific. This collection not only engages a multidisciplinary approach in understanding the subject of Japanese animation but also shows ways to research, teach, and more fully explore this multidimensional world. Presented in six sections, the translated essays cross-reference each other. The collection adopts a wide range of critical, historical, practical, and experimental approaches. This variety provides a creative and fascinating edge for both specialist and nonspecialist readers. Contributors' works share a common relevance, interest, and involvement despite their regional considerations and the different modes of analysis demonstrated. They form a composite of teaching and research ideas on Japanese animation"--$cProvided by publisher. 606 $aAnimated films$zJapan$xHistory and criticism 606 $aAnimated television programs$zJapan$xHistory and criticism 615 0$aAnimated films$xHistory and criticism. 615 0$aAnimated television programs$xHistory and criticism. 676 $a791.43/340952 686 $aPER017000$aHIS021000$2bisacsh 702 $aYokota$b Masao$f1954- 702 $aHu$b Tze-yue G. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819327503321 996 $aJapanese animation$93999959 997 $aUNINA