LEADER 03620nam 22007092 450 001 9910819305603321 005 20151005020621.0 010 $a1-107-22443-8 010 $a1-139-33392-5 010 $a1-280-39381-5 010 $a9786613571731 010 $a1-139-33728-9 010 $a1-139-33973-7 010 $a1-139-34131-6 010 $a1-139-33641-X 010 $a1-139-33815-3 010 $a1-139-02790-5 035 $a(CKB)2670000000172047 035 $a(EBL)866863 035 $a(OCoLC)792684407 035 $a(SSID)ssj0000622496 035 $a(PQKBManifestationID)11451275 035 $a(PQKBTitleCode)TC0000622496 035 $a(PQKBWorkID)10642896 035 $a(PQKB)10856046 035 $a(UkCbUP)CR9781139027908 035 $a(MiAaPQ)EBC866863 035 $a(Au-PeEL)EBL866863 035 $a(CaPaEBR)ebr10558206 035 $a(CaONFJC)MIL357173 035 $a(EXLCZ)992670000000172047 100 $a20110221d2012|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aEngaging Bach $ethe keyboard legacy from Marpurg to Mendelssohn /$fMatthew Dirst$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2012. 215 $a1 online resource (xiii, 186 pages) $cdigital, PDF file(s) 225 1 $aMusical performance and reception 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-65160-3 320 $aIncludes bibliographical references and index. 327 $aPart I. The posthumous reassessment of selected works. Why the keyboard works? ; Inventing the Bach chorale ; What Mozart learned from Bach -- Part II. Divergent streams of reception in the early nineteenth century ; A bu?rgerlicher Bach : turn-of-the-century German advocacy ; The virtuous fugue : English reception to 1840 ; Bach for whom? Modes of interpretation and performance, 1820-1850. 330 $aMore than any other part of Bach's output, his keyboard works conveyed the essence of his inimitable art to generations of admirers. The varied responses to this repertory - in scholarly and popular writing, public lectures, musical composition and transcription, performances and editions - ensured its place in the canon and broadened its creator's appeal. The early reception of Bach's keyboard music also continues to affect how we understand and value it, though we rarely recognize that historical continuity. Here, Matthew Dirst investigates how Bach's music intersects with cultural, social and music history, focusing on a repertory which is often overshadowed in scholarly and popular literature on Bach reception. Organized around the most productive ideas generated by Bach's keyboard works from his own day to the middle of the nineteenth century, this study shows how Bach's remarkable and long-lasting legacy took shape amid critical changes in European musical thought and practice. 410 0$aMusical performance and reception. 606 $aKeyboard instrument music$y18th century$xHistory and criticism 606 $aMusic$y18th century$xHistory and criticism 615 0$aKeyboard instrument music$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 676 $a786.092 686 $a9,2$2ssgn 686 $aLP 38201$2rvk 686 $aLP 38238$2rvk 700 $aDirst$b Matthew$01690091 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910819305603321 996 $aEngaging Bach$94065606 997 $aUNINA