LEADER 02340nam 22004811 450 001 9910819148903321 005 20220208145055.0 010 $a1-68417-072-9 024 7 $a10.1163/9781684170722 035 $a(CKB)3710000000824211 035 $a(MiAaPQ)EBC6380516 035 $a(OCoLC)956712098 035 $a(nllekb)BRILL9781684170722 035 $a(MiAaPQ)EBC30975576 035 $a(Au-PeEL)EBL30975576 035 $a(EXLCZ)993710000000824211 100 $a20220208d2014 uy 0 101 0 $aeng 135 $aurun| uuuua 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $2rdacarrier 200 10$aModern Archaics $eContinuity and Innovation in the Chinese Lyric Tradition, 1900-1937 /$fShenquing Wu 205 $a1st ed. 210 1$aBoston :$cHarvard University Asia Center,$d2014. 210 2$aLeiden; $aBoston :$cBRILL,$d2014. 215 $a1 online resource 225 1 $aHarvard University Studies in East Asian Law ;$v88 311 $a0-674-72667-7 327 $aFalling leaves and grieving cicadas: allegory and the experience of loss in song lyrics -- Radical antiquarianism: Chen Sanli's poetic response to cultural crisis -- Contested Fengya: loyalists and classical poetry clubs -- A lonely enterprise: classical poetry and new means of cultural production -- Re-feminizing modern space: Lu Bicheng and her overseas lyrics -- "O my love is like a red red rose": classical form and translation -- Epilogue: Translations of tradition. 330 $a"Drawing upon extensive archival research into the poetry collections and literary journals of two generations of poets and critics, Wu explores the transformation of Chinese classical-style poetry in the early twentieth century and highlights the mutually transformative power of the modern and the archaic"--Provided by publisher. 410 0$aHarvard University Studies in East Asian Law ;$v88. 517 3 $aContinuity and Innovation in the Chinese Lyric Tradition, 1900-1937 606 $aChinese poetry$y20th century$xHistory and criticism 615 0$aChinese poetry$xHistory and criticism. 676 $a895.1/151 700 $aWu$b Shenquing$01644148 801 0$bNL-LeKB 801 1$bNL-LeKB 906 $aBOOK 912 $a9910819148903321 996 $aModern Archaics$93989849 997 $aUNINA