LEADER 05156nam 2200649Ia 450 001 9910819133703321 005 20200520144314.0 010 $a1-283-16120-6 010 $a9786613161208 010 $a90-04-20758-9 035 $a(CKB)2550000000041855 035 $a(EBL)737668 035 $a(OCoLC)743693682 035 $a(SSID)ssj0000502598 035 $a(PQKBManifestationID)11322154 035 $a(PQKBTitleCode)TC0000502598 035 $a(PQKBWorkID)10520758 035 $a(PQKB)10468243 035 $a(MiAaPQ)EBC737668 035 $a(OCoLC)711642537 035 $a(nllekb)BRILL9789004207585 035 $a(Au-PeEL)EBL737668 035 $a(CaPaEBR)ebr10483762 035 $a(CaONFJC)MIL316120 035 $a(PPN)174393504 035 $a(EXLCZ)992550000000041855 100 $a20110330d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aControlling time and shaping the self$b[electronic resource] $edevelopments in autobiographical writing since the sixteenth century /$fedited by Arianne Baggerman, Rudolf Dekker, Michael Mascuch 210 $aLeiden ;$aBoston $cBrill$d2011 215 $a1 online resource (559 p.) 225 1 $aEgodocuments and history series ;$v3 300 $aDescription based upon print version of record. 311 0 $a90-04-19500-9 320 $aIncludes bibliographical references. 327 $tPreliminary Material /$r. J. A. Baggerman , R. M. Dekker and M. J. Mascuch --$tIntroduction /$r. J. A. Baggerman , R. M. Dekker and M. J. Mascuch --$tHistoricizing The Self, 1770?1830 /$rPeter Burke --$tTracing Lives: The Spanish Inquisition And The Act Of Autobiography /$rJames S. Amelang --$tAutobiographical Memory In The Making: Wilhelmina Of Prussia?s Childhood Memoirs /$rLotte Van De Pol --$tDrastic History And The Production Of Autobiography /$rPeter Fritzsche --$tMarc-Antoine Jullien: Controlling Time /$rPhilippe Lejeune --$tThe Diary And The Pocket Watch: Rethinking Time In Nineteenth-Century America /$rMolly McCarthy --$tWriting And Measuring Time: Nineteenth-Century French Teenagers? Diaries /$rMarilyn Himmesoëte --$tMarking Time: Australian Women?s Diaries Of The 1920's And 1930's /$rKatie Holmes --$tThe Second World War And Autobiography In Japan. Tales Of War And The ?Movement For One?s Own History? (Jibunshi) /$rPetra Buchholz --$tCan There Be A Collective Egodocument? The Case Of The Hashomer Hatzair Kehiliyatenu Collection In Palestine, 1922 /$rOfer Nordheimer Nur --$tThe Economy Of Narrative Identity /$rPaul John Eakin --$tBehind The Mask Of Civility: Physiognomy And Unmasking In The Early Eighteenth-Century Dutch Republic /$rEveline Koolhaas-Grosfeld --$tJohn Wesley, Superstar: Periodicity, Celebrity, And The Sensibility Of Methodist Society In Wesley?s Journal (1740?91) /$rMichael Mascuch --$tSelf-Made Men And The Civic: Time, Space And Narrative In Late Nineteenth-Century Autobiography /$rDonna Loftus --$tLife Writing, Marketing And The Construction Of Cinema History: On The Ghostwritten Autobiography Of Dutch Film Entrepreneur Abraham Tuschinski /$rAndré Van Der Velden --$t?Reading The Body?: Authors? Portraits And Their Significance For The Nineteenth-Century Reading Public /$rLisa Kuitert --$tDutch Matrimonial Advertisements From 1825 Until 1925: Changing Self-Portraits And Partner Profiles /$rPieter R.D. Stokvis --$tAutobiography And Contemporary History: The Dutch Reception Of Autobiographies, 1850?1918 /$rMarijke Huisman --$tThe Politics Of Nostalgia Or The Janus-Face Of Modern Society /$rHenri Beunders --$tLost Time: Temporal Discipline And Historical Awareness In Nineteenth-Century Dutch Egodocuments /$rArianne Baggerman. 330 $aThis book explores new questions and approaches to the rise of autobiographical writing since the early modern period. What motivated more and more men and women to write records of their private life? How could private writing grow into a bestselling genre? How was this rapidly expanding genre influenced by new ideas about history that emerged around 1800? How do we explain the paradox of the apparent privacy of publicity in many autobiographies? Such questions are addressed with reference to well-known autobiographies and an abundance of newfound works by persons hitherto unknown, not only from Europe, but also the Near East, and Japan. This volume features new views of the complex field of historical autobiography studies, and is the first to put the genre in a global perspective. 410 0$aEgodocuments and history series ;$v3. 606 $aAutobiography$xAuthorship 606 $aBiography as a literary form 615 0$aAutobiography$xAuthorship. 615 0$aBiography as a literary form. 676 $a809/.93592 701 $aBaggerman$b Arianne$01087031 701 $aDekker$b Rudolf$01094998 701 $aMascuch$b Michael$0156953 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819133703321 996 $aControlling time and shaping the self$94002087 997 $aUNINA