LEADER 02438nam 22005533u 450 001 9910819130603321 005 20210318211711.0 010 $a1-4422-4544-1 010 $a1-4422-4543-3 035 $a(CKB)2670000000612404 035 $a(EBL)2035743 035 $a(SSID)ssj0001482516 035 $a(PQKBManifestationID)12568447 035 $a(PQKBTitleCode)TC0001482516 035 $a(PQKBWorkID)11422224 035 $a(PQKB)11583225 035 $a(MiAaPQ)EBC2035743 035 $a(EXLCZ)992670000000612404 100 $a20150504d2015|||| uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aOrientalism and the operatic world /$fNicholas Tarling 210 1$aLanham, Maryland :$cRowman & Littlefield Publishers,$d2015. 215 $a1 online resource (356 pages) 300 $aDescription based upon print version of record. 327 $aRecitatives. Globalising and glocalising opera ; The genre ; Orientalisms -- Arias. Bible-based operas ; Crusaders, Arabs and Turks ; Egypt ; India and Ceylon ; China ; Japan ; Russia. 330 $aNicholas Tarling's Orientalism and the Operatic World places opera in the context of its steady globalization over the last two centuries, offering key insights into such notable operas as George Frederic Handel's Berenice, Giuseppe Verdi's Aida, Giacomo Puccini's Madama Butterfly, Pietro Mascagni's Iris, and others. Orientalism and the Operatic World argues that any close study of the history of Western opera, in the end, fails to support notion propounded by literary scholar Edward Said that the Westerners inevitably stereotyped, dehumanized, and ultimately sought only to dominate the East t 606 $aOpera$xHistory and criticism 606 $aOrientalism in opera 606 $aMusic$2HILCC 606 $aMusic, Dance, Drama & Film$2HILCC 606 $aMusic History & Criticism, Vocal$2HILCC 615 0$aOpera$xHistory and criticism 615 0$aOrientalism in opera 615 7$aMusic 615 7$aMusic, Dance, Drama & Film 615 7$aMusic History & Criticism, Vocal 676 $a782.109 700 $aTarling$b Nicholas$0180023 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910819130603321 996 $aOrientalism and the operatic world$94002057 997 $aUNINA