LEADER 01966nam 2200493 450 001 9910819101903321 005 20240131163454.0 010 $a1-4438-8299-2 035 $a(CKB)3710000000485903 035 $a(EBL)4534799 035 $a(MiAaPQ)EBC4534799 035 $a(Au-PeEL)EBL4534799 035 $a(CaPaEBR)ebr11215816 035 $a(CaONFJC)MIL838947 035 $a(OCoLC)924625896 035 $a(FINmELB)ELB148674 035 $a(EXLCZ)993710000000485903 100 $a20160623h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aCynic satire /$fEric McLuhan 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015. 210 4$dİ2015 215 $a1 online resource (262 p.) 300 $aDescription based upon print version of record. 311 $a1-4438-7760-3 320 $aIncludes bibliographical references. 330 $aA Menippean - Cynic - satire is a device for producing a specific kind of effect on the reader. Menippean satire is an active form, not a passive one: any work that produces the effect of a Menippean satire is a Menippean satire. It is the embodiment of a Cynic - of a Diogenes or a Menippus or a Lucian or a Rabelais. For centuries, it has frustrated the best efforts of critics to define it. Descriptive criteria (such as "a mixture of verse and prose") invariably fail because the form is determinedly fluid and polymorphous, and playful: it shifts its mode of attack with every change in culture 606 $aSatire$xHistory 606 $aMythology$vParodies, imitations, etc 615 0$aSatire$xHistory. 615 0$aMythology 676 $a808.87 700 $aMcLuhan$b Eric$0143814 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819101903321 996 $aCynic satire$93948178 997 $aUNINA