LEADER 05325nam 2200745 450 001 9910819095103321 005 20210506023513.0 010 $a3-11-057817-4 010 $a3-11-043654-X 010 $a3-11-044560-3 024 7 $a10.1515/9783110445602 035 $a(CKB)3710000000519869 035 $a(EBL)4179790 035 $a(SSID)ssj0001580656 035 $a(PQKBManifestationID)16257911 035 $a(PQKBTitleCode)TC0001580656 035 $a(PQKBWorkID)14827905 035 $a(PQKB)11314084 035 $a(PQKBManifestationID)16196343 035 $a(PQKBWorkID)14827794 035 $a(PQKB)21938316 035 $a(DE-B1597)456995 035 $a(OCoLC)952800407 035 $a(DE-B1597)9783110445602 035 $a(Au-PeEL)EBL4179790 035 $a(CaPaEBR)ebr11123910 035 $a(CaONFJC)MIL876229 035 $a(OCoLC)932334092 035 $z(PPN)202109992 035 $a(MiAaPQ)EBC4179790 035 $a(PPN)191863920 035 $a(EXLCZ)993710000000519869 100 $a20151228h20162016 uy 0 101 0 $aeng 135 $aurnnu---|u||u 181 $ctxt 182 $cc 183 $acr 200 00$aPlato's styles and characters $ebetween literature and philosophy /$fedited by Gabriele Cornelli ; contributors, Esteban Bieda [and twenty-four others] 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2016. 210 4$d©2016 215 $a1 online resource (436 p.) 225 1 $aBeitra?ge zur Altertumskunde,$x1616-0452 ;$vBand 341 300 $aDescription based upon print version of record. 311 $a3-11-044561-1 311 $a3-11-044403-8 320 $aIncludes bibliographical references at the end of each chapters and indexes. 327 $tFront matter --$tTable of Contents --$tIntroduction --$tBeyond Language and Literature --$tThe Three Waves of Dialectic in the Republic --$tPlato?s Unfinished Trilogy: Timaeus?Critias?Hermocrates --$tThe Myth of the Winged Chariot in the Phaedrus: A Vehicle for Philosophical Thinking --$tPerspectivism, Proleptic Writing and Generic agón: Three Readings of the Symposium --$tPlato?s Argumentative Strategies in Theaetetus and Sophist --$tDetailed Completeness and Pleasure of the Narrative. Some Remarks on the Narrative Tradition and Plato --$tThe meeting scenes in the incipit of Plato?s dialogue --$tThe Philosophical Writing and the Drama of Knowledge in Plato --$tComic Dramaturgy in Plato: Observations from the Ion --$tAmicus Homerus: Allusive Art in Plato?s Incipit to Book X of the Republic (595a?c) --$tPerformance and Elenchos in Plato?s Ion --$tPlato and the Catalogue Form in Ion --$tOrphic Aristophanes at Plato?s Symposium --$tSocrates as a physician of the soul --$tThe Style of Medical Writing in the Speech of Eryximachus: Imitation and Contamination --$tGorgias, the eighth orator. Gorgianic echoes in Agathon?s Speech in the Symposium --$tPlato?s Phaedrus: A Play Inside the Play --$tHe longs for him, he hates him and he wants him for himself: The Alcibiades Case between Socrates and Plato --$tFive Platonic Characters --$tWho Is Plato?s Callicles and What Does He Teach? --$tDoing business with Protagoras (Prot. 313e): Plato and the Construction of a Character --$tTheaetetus and Protarchus: two philosophical characters or what a philosophical soul should do --$tThe Role of Diotima in the Symposium: The Dialogue and Its Double --$tContributors --$tCitations Index --$tAuthor Index --$tSubject Index 330 $aThe significance of Plato?s literary style to the content of his ideas is perhaps one of the central problems in the study of Plato and Ancient Philosophy as a whole. As Samuel Scolnicov points out in this collection, many other philosophers have employed literary techniques to express their ideas, just as many literary authors have exemplified philosophical ideas in their narratives, but for no other philosopher does the mode of expression play such a vital role in their thought as it does for Plato. And yet, even after two thousand years there is still no consensus about why Plato expresses his ideas in this distinctive style. Selected from the first Latin American Area meeting of the International Plato Society (www.platosociety.org) in Brazil in 2012, the following collection of essays presents some of the most recent scholarship from around the world on the wide range of issues related to Plato?s dialogue form. The essays can be divided into three categories. The first addresses general questions concerning Plato?s literary style. The second concerns the relation of his style to other genres and traditions in Ancient Greece. And the third examines Plato?s characters and his purpose in using them. 410 0$aBeitra?ge zur Altertumskunde ;$vBand 341. 606 $aPHILOSOPHY / History & Surveys / Ancient & Classical$2bisacsh 610 $aDialogue. 610 $aPlato. 615 7$aPHILOSOPHY / History & Surveys / Ancient & Classical. 676 $a184 686 $aFH 28715$2rvk 702 $aCornelli$b Gabriele 702 $aBieda$b Esteban 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819095103321 996 $aPlato's styles and characters$92375949 997 $aUNINA