LEADER 04420nam 22006614a 450 001 9910819063003321 005 20240418040546.0 010 $a0-292-79848-2 024 7 $a10.7560/702318 035 $a(CKB)1000000000453897 035 $a(OCoLC)646760683 035 $a(CaPaEBR)ebrary10245711 035 $a(SSID)ssj0000207181 035 $a(PQKBManifestationID)11188704 035 $a(PQKBTitleCode)TC0000207181 035 $a(PQKBWorkID)10246552 035 $a(PQKB)10723062 035 $a(MiAaPQ)EBC3443236 035 $a(OCoLC)60567321 035 $a(MdBmJHUP)muse2084 035 $a(Au-PeEL)EBL3443236 035 $a(CaPaEBR)ebr10245711 035 $a(DE-B1597)587860 035 $a(OCoLC)1286808490 035 $a(DE-B1597)9780292798489 035 $a(EXLCZ)991000000000453897 100 $a20030814d2004 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusical ritual in Mexico City$b[electronic resource] $efrom the Aztec to NAFTA /$fMark Pedelty 205 $a1st ed. 210 $aAustin $cUniversity of Texas Press$d2004 215 $a1 online resource (355 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-292-70231-0 320 $aIncludes discography (p. [315]-319), bibliographical references (p. [321]-333), and index. 327 $aIntro -- Contents -- Illustrations -- Acknowledgments -- Chapter 1. Introduction -- PART I. The Mexica: 1325-1521 -- Chapter 2. Tenochtitlán: 1325-1521 -- Chapter 3. Mesoamerican Resonance -- PART II. New Spain: 1521-1821 -- Chapter 4. Colonial Mexico: 1521-1821 -- Chapter 5. Colonial Resonance -- PART III. The New Nation: 1821-1910 -- Chapter 6. The First Century of Independence: 1821-1910 -- Chapter 7. Nineteenth-Century Resonance -- PART IV. The Revolution: 1910-1921 -- Chapter 8. Revolutionary Mexico: 1910-1921 -- Chapter 9. Revolutionary Resonance -- PART V. Modern Mexico: 1921-1968 -- Chapter 10. Bolero and Danzón during the Postrevolutionary Era -- Chapter 11. Bolero and Danzón Today -- Chapter 12. Classical Nationalism during the Postrevolutionary Era -- Chapter 13. Classical Nationalism Today -- Chapter 14. Ranchera during the Postrevolutionary Era and at Mid-Century -- Chapter 15. Ranchera Today -- PART VI. Contemporary Mexico: 1968-2002 -- Chapter 16. Popular Music Today -- Chapter 17. Conclusion -- Appendix 1. Theory and Methodology -- Appendix 2. Timeline -- Appendix 3. Discography -- Bibliography -- Index. 330 $aOn the Zócalo, the main square of Mexico City, Mexico's entire musical history is performed every day. "Mexica" percussionists drum and dance to the music of Aztec rituals on the open plaza. Inside the Metropolitan Cathedral, choristers sing colonial villancicos. Outside the National Palace, the Mexican army marching band plays the "Himno Nacional," a vestige of the nineteenth century. And all around the square, people listen to the contemporary sounds of pop, rock, and música grupera. In all, some seven centuries of music maintain a living presence in the modern city. This book offers an up-to-date, comprehensive history and ethnography of musical rituals in the world's largest city. Mark Pedelty details the dominant musical rites of the Aztec, colonial, national, revolutionary, modern, and contemporary eras, analyzing the role that musical ritual played in governance, resistance, and social change. His approach is twofold. Historical chapters describe the rituals and their functions, while ethnographic chapters explore how these musical forms continue to resonate in contemporary Mexican society. As a whole, the book provides a living record of cultural continuity, change, and vitality. 606 $aMusic$zMexico$zMexico City$xHistory and criticism 606 $aMusic$xReligious aspects 606 $aRites and ceremonies$zMexico$zMexico City 607 $aMexico City (Mexico)$xCivilization 607 $aMexico City (Mexico)$xSocial life and customs 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xReligious aspects. 615 0$aRites and ceremonies 676 $a780/.972/53 700 $aPedelty$b Mark$0908599 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819063003321 996 $aMusical ritual in Mexico City$93940798 997 $aUNINA