LEADER 03507oam  2200709I  450 
001 9910819056703321
005 20240516201859.0
010   $a1-280-66247-6
010   $a9786613639400
010   $a0-203-12764-1
010   $a1-136-46398-4
024 7 $a10.4324/9780203127643 
035   $a(CKB)2670000000203458
035   $a(EBL)958631
035   $a(OCoLC)798530505
035   $a(SSID)ssj0000677853
035   $a(PQKBManifestationID)11365495
035   $a(PQKBTitleCode)TC0000677853
035   $a(PQKBWorkID)10694596
035   $a(PQKB)10538074
035   $a(MiAaPQ)EBC958631
035   $a(Au-PeEL)EBL958631
035   $a(CaPaEBR)ebr10566722
035   $a(CaONFJC)MIL363940
035   $a(OCoLC)795124237
035   $a(EXLCZ)992670000000203458
100   $a20180706d2012      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aHollywood melodrama and the New Deal $epublic daydreams /$fAnna Siomopoulos
205   $a1st ed.
210  1$aNew York :$cRoutledge,$d2012.
215   $a1 online resource (167 p.)
225 1 $aRoutledge advances in film studies ;$v13
300   $aDescription based upon print version of record.
311   $a0-415-88293-1 
320   $aIncludes bibliographical references and index.
327   $aCover; Hollywood Melodrama and the New Deal; Copyright; Dedication; Contents; List of Figures; Acknowledgments; Introduction: "Public Daydreams" and the New Deal; 1. Scarface over the White House: The New Deal and the Political Gangster Film; 2. "With Every Step and Every Breath I Took": Mass Culture, Embodied Citizenship, and the Mob Violence Film of the 1930s; 3. "I Didn't Know Anyone Could Be so Unselfi sh": The Welfare State, Consumer Citizenship, and King Vidor's Stella Dallas; 4. "I Know I Done Wrong;  I've Done Repent": Black Nationalism, the New Deal, and The Emperor Jones
327   $a5. The Doubleness of "Indemnity": The Welfare State and 1940s Insurance NoirConclusion: Towards a Political Theory of Melodrama; Notes; Bibliography; Index
330   $aWhile many critics have analyzed the influence of the FDR administration on Hollywood films of the era, most of these studies have focused either on New Deal imagery or on studio interactions with the federal government. Neither type of study explores the relationship between film and the ideological principles underlying the New Deal. This book argues that the most important connections between the New Deal and Hollywood melodrama lie neither in the New Deal iconography of these films, nor in the politics of any one studio executive. Rather, the New Deal figures prominently i
410  0$aRoutledge advances in film studies ;$v13.
606   $aMelodrama in motion pictures
606   $aNew Deal, 1933-1939, in motion pictures
606   $aMotion pictures$xPolitical aspects$zUnited States
606   $aMotion pictures$xSocial aspects$zUnited States
615  0$aMelodrama in motion pictures.
615  0$aNew Deal, 1933-1939, in motion pictures.
615  0$aMotion pictures$xPolitical aspects
615  0$aMotion pictures$xSocial aspects
676   $a791.43/6581
676   $a791.436581
700   $aSiomopoulos$b Anna$f1969-,$01684501
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910819056703321
996   $aHollywood melodrama and the New Deal$94056049
997   $aUNINA