LEADER 03482nam 2200673 450 001 9910819046503321 005 20200520144314.0 010 $a1-78238-400-6 024 7 $a10.1515/9781782384007 035 $a(CKB)3710000000202228 035 $a(EBL)1644357 035 $a(OCoLC)884280135 035 $a(SSID)ssj0001261510 035 $a(PQKBManifestationID)12486730 035 $a(PQKBTitleCode)TC0001261510 035 $a(PQKBWorkID)11321249 035 $a(PQKB)11755129 035 $a(MiAaPQ)EBC1644357 035 $a(Au-PeEL)EBL1644357 035 $a(CaPaEBR)ebr10896766 035 $a(CaONFJC)MIL633392 035 $a(DE-B1597)636012 035 $a(DE-B1597)9781782384007 035 $a(EXLCZ)993710000000202228 100 $a20140726h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBeyond the looking glass $enarcissism and female stardom in studio-era Hollywood /$fAna Salzberg 210 1$aNew York :$cBerghahn,$d2014. 210 4$dİ2014 215 $a1 online resource (205 p.) 300 $aDescription based upon print version of record. 311 $a1-78238-399-9 320 $aIncludes bibliographical references, filmography and index. 327 $aContents; Figures; Acknowledgments; Introduction - The Narcissistic Woman: Reflections nd Projections; Chapter 1 - Garbo Talks: Expectation and Realization; Chapter 2 - Katharine Hepburn and a Hollywood Story; Chapter 3 - Vanishing Differences in Mildred Pierce (1945) and Leave Her to Heaven (1945); Chapter 4 - One Touch of Venus: Ava Gardner, Rita Hayworth, and the Production Code; Chapter 5 - ""Wherever There's Magic"": Performance Time in Sunset Boulevard (1950) and All About Eve (1950); Chapter 6 - Marilyn Monroe: ""The Last Glimmering of the Sacred"" 327 $aChapter 7 - Neo-Screen Tests, Part One: Grace Kelly and Elizabeth TaylorChapter 8 - Neo-Screen Tests, Part Two: The Search for Scarlett Continues; Filmography; Bibliography; Index 330 $aAs living subjects rather than static icons, studio-era Hollywood actresses actively negotiated a balance between their public personas, film roles, and corporeal presence. The contemporary audience's engagement with the experience of these actresses unsettles the traditional model of narcissistic identification, which divides the off-screen spectator from his/her on-screen ideal. Exploring the fan's desire for a material connection to the performer - as well as the star's own dialogue between embodied experience and idealized image - Beyond the Looking Glass traces on- and off-screen repre 606 $aWomen in the motion picture industry$zCalifornia$zLos Angeles 606 $aMotion picture actors and actresses$zCalifornia$zLos Angeles 606 $aMotion picture studios$zUnited States$xHistory$y20th century 606 $aMotion picture audiences$zUnited States 606 $aWomen in motion pictures 615 0$aWomen in the motion picture industry 615 0$aMotion picture actors and actresses 615 0$aMotion picture studios$xHistory 615 0$aMotion picture audiences 615 0$aWomen in motion pictures. 676 $a791.4302/80820973 700 $aSalzberg$b Ana$01625977 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819046503321 996 $aBeyond the looking glass$93961785 997 $aUNINA