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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aSpike Lee /$fTodd McGowan
210  1$aUrbana, [Illinois] :$cUniversity of Illinois Press,$d2014.
210  4$dİ2014
215   $a1 online resource (185 p.)
225 1 $aContemporary Film Directors
300   $aDescription based upon print version of record.
311   $a0-252-07961-2 
311   $a0-252-03814-2 
320   $aIncludes filmography, bibliographical references and index.
327   $aConfronted with too much.  Singular subjects -- Driven by fantasy -- The politics of passion -- Fight the paranoia -- The costs of community -- Depictions of antagonism -- No outside -- Disturbing the spectator -- The effect of Spike Lee -- Interview with Spike Lee / by Lisa Collins.
330 8 $aSince the release of 'Do the Right Thing' in 1989, Spike Lee has established himself as a cinematic icon. Lee's mostly independent films garner popular audiences while at the same time engaging in substantial political and social commentary. He is arguably the most accomplished African American filmmaker in cinematic history, and his breakthrough paved the way for the success of many other African Americans in film. In this scholarly examination of Spike Lee's oeuvre, Todd McGowan shows how Lee's films, from 'She's Gotta Have It' through 'Red Hook Summer', address crucial social issues such as racism, paranoia, and economic exploitation in a formally inventive manner.
410  0$aContemporary film directors.
676   $a791.4302/33092
700   $aMcGowan$b Todd$0776541
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
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996   $aSpike Lee$93961763
997   $aUNINA