LEADER 02812nam 2200553 450 001 9910480525503321 005 20170822144224.0 010 $a1-4704-0444-3 035 $a(CKB)3360000000465027 035 $a(EBL)3114210 035 $a(SSID)ssj0000973873 035 $a(PQKBManifestationID)11553856 035 $a(PQKBTitleCode)TC0000973873 035 $a(PQKBWorkID)10984725 035 $a(PQKB)10084260 035 $a(MiAaPQ)EBC3114210 035 $a(PPN)195417313 035 $a(EXLCZ)993360000000465027 100 $a20050920d2006 uy| 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRelatively hyperbolic groups $eintrinsic geometry, algebraic properties, and algorithmic problems /$fDenis V. Osin 210 1$aProvidence, Rhode Island :$cAmerican Mathematical Society,$d2006. 215 $a1 online resource (114 p.) 225 1 $aMemoirs of the American Mathematical Society,$x0065-9266 ;$vnumber 843 300 $a"Volume 179, number 843 (second of 5 numbers)." 311 $a0-8218-3821-0 320 $aIncludes bibliographical references. 327 $a""Contents""; ""Chapter 1. Introduction""; ""1.1. Preliminary remarks""; ""1.2. Main results""; ""Chapter 2. Relative isoperimetric inequalities""; ""2.1. Relative presentations and length functions""; ""2.2. Geometry of van Kampen diagrams over relative presentations""; ""2.3. Relative Dehn functions""; ""2.4. Splitting Theorem for relatively finitely presented groups""; ""2.5. Isoperimetric functions of Cayley graphs""; ""Chapter 3. Geometry of finitely generated relatively hyperbolic groups""; ""3.1. Conventions and notation""; ""3.2. Properties of quasia???geodesics"" 327 $a""3.3. Geodesic triangles in Cayley graphs""""3.4. Symmetric geodesies""; ""Chapter 4. Algebraic properties""; ""4.1. Elements of finite order""; ""4.2. Relatively quasia???convex subgroups""; ""4.3. Cyclic subgroups and translation numbers""; ""Chapter 5. Algorithmic problems""; ""5.1. The word and membership problems""; ""5.2. The parabolicity problems""; ""5.3. Algorithmic problems for hyperbolic elements""; ""Open questions""; ""Appendix. Equivalent definitions of relative hyperbolicity""; ""Bibliography"" 410 0$aMemoirs of the American Mathematical Society ;$vno. 843. 606 $aGeometric group theory 606 $aHyperbolic groups 608 $aElectronic books. 615 0$aGeometric group theory. 615 0$aHyperbolic groups. 676 $a510 s 676 $a512/.2 700 $aOsin$b Denis V.$f1974-$0963693 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910480525503321 996 $aRelatively hyperbolic groups$92185001 997 $aUNINA LEADER 01283nam 2200409 450 001 9910819017403321 005 20170914094325.0 010 $a1-78660-504-X 035 $a(CKB)4100000001041509 035 $a(MiAaPQ)EBC5149791 035 $a(EXLCZ)994100000001041509 100 $a20171213h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe aesthetics of violence $eart, fiction, drama and film /$fRobert Appelbaum 210 1$aLondon, [England] ;$aNew York, [New York] :$cRowman & Littlefield International,$d2017. 210 4$d©2017 215 $a1 online resource (196 pages) $cillustrations 225 0 $aFutures of the Archive : Theory, Criticism, Crisis 311 $a1-78660-503-1 320 $aIncludes bibliographical references, filmography and index. 606 $aViolence in art 606 $aArts$xThemes, motives 615 0$aViolence in art. 615 0$aArts$xThemes, motives. 676 $a700/.4552 700 $aAppelbaum$b Robert$f1952-$01627583 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910819017403321 996 $aThe aesthetics of violence$93971942 997 $aUNINA LEADER 04581nam 2200685 450 001 9910812910003321 005 20200520144314.0 010 $a0-292-74536-2 024 7 $a10.7560/745353 035 $a(CKB)3710000000024630 035 $a(EBL)3443703 035 $a(SSID)ssj0001042904 035 $a(PQKBManifestationID)11580831 035 $a(PQKBTitleCode)TC0001042904 035 $a(PQKBWorkID)11059961 035 $a(PQKB)10472015 035 $a(OCoLC)863486146 035 $a(MdBmJHUP)muse32061 035 $a(Au-PeEL)EBL3443703 035 $a(CaPaEBR)ebr10776468 035 $a(OCoLC)932314443 035 $a(MiAaPQ)EBC3443703 035 $a(DE-B1597)588713 035 $a(DE-B1597)9780292745360 035 $a(EXLCZ)993710000000024630 100 $a20130219d2013 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCosmopolitanism in Mexican visual culture /$fby Mari?a Ferna?ndez 210 1$aAustin :$cUniversity of Texas Press,$d2013. 215 $a1 online resource (465 p.) 225 0$aJoe R. and Teresa Lozano Long series in Latin American and Latino art and culture 300 $aDescription based upon print version of record. 311 $a0-292-74535-4 320 $aIncludes bibliographical references and index. 327 $aVernacular cosmopolitanism: Sigu?enza y Go?ngora's Teatro de virtudes poli?ticas -- Castas, monstrous bodies, and soft buildings -- Experiments in the representation of national identity: the Pavilion of Mexico in the 1889 Universal Exposition in Paris and the Palacio de Bellas Artes -- Of ruins and ghosts: the social functions of pre-Hispanic antiquity in nineteenth-century Mexico -- Traces of the past: reevaluating eclecticism in nineteenth-century Mexican architecture -- Visualizing the future: estridentismo, technology, and art -- Re-creating the past: Ignacio Marquina's reconstruction of the Templo Mayor de Tenochtitlan -- Transnational culture at the end of the millennium: Rafael Lozano-Hemmer's "relational architectures". 330 $aSince the colonial era, Mexican art has emerged from an ongoing process of negotiation between the local and the global, which frequently involves invention, synthesis, and transformation of diverse discursive and artistic traditions. In this pathfinding book, María Fernández uses the concept of cosmopolitanism to explore this important aspect of Mexican art, in which visual culture and power relations unite the local and the global, the national and the international, the universal and the particular. She argues that in Mexico, as in other colonized regions, colonization constructed power dynamics and forms of violence that persisted in the independent nation-state. Accordingly, Fernández presents not only the visual qualities of objects, but also the discourses, ideas, desires, and practices that are fundamental to the very existence of visual objects. Fernández organizes episodes in the history of Mexican art and architecture, ranging from the seventeenth century to the end of the twentieth century, around the consistent but unacknowledged historical theme of cosmopolitanism, allowing readers to discern relationships among various historical periods and works that are new and yet simultaneously dependent on their predecessors. She uses case studies of art and architecture produced in response to government commissions to demonstrate that established visual forms and meanings in Mexican art reflect and inform desires, expectations, memories, and ways of being in the world?in short, that visual culture and cosmopolitanism are fundamental to processes of subjectification and identity. 410 0$aJoe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture 606 $aArt, Mexican$xThemes, motives 606 $aArchitecture$zMexico$xThemes, motives 606 $aEclecticism in art$zMexico 606 $aEclecticism in architecture$zMexico 606 $aNational characteristics, Mexican 615 0$aArt, Mexican$xThemes, motives. 615 0$aArchitecture$xThemes, motives. 615 0$aEclecticism in art 615 0$aEclecticism in architecture 615 0$aNational characteristics, Mexican. 676 $a709.72 700 $aFerna?ndez$b Mari?a$f1956-$01715315 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910812910003321 996 $aCosmopolitanism in Mexican visual culture$94109844 997 $aUNINA