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100   $a20120904d2013      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aWriting against time$b[electronic resource] /$fMichael W. Clune
210   $aStanford, Calif. $cStanford University Press$d2013
215   $a1 online resource (200 p.)
300   $aDescription based upon print version of record.
311   $a0-8047-7081-6 
311   $a0-8047-7082-4 
320   $aIncludes bibliographical references and index.
327   $aIntroduction : writing against time -- Imaginary music -- The addictive image -- Big Brother stops time -- The cultured image -- Conclusion : from representation to creation.
330   $aFor centuries, a central goal of art has been to make us see the world with new eyes. Thinkers from Edmund Burke to Elaine Scarry have understood this effort as the attempt to create new forms. But as anyone who has ever worn out a song by repeated listening knows, artistic form is hardly immune to sensation-killing habit. Some of our most ambitious writers-Keats, Proust, Nabokov, Ashbery-have been obsessed by this problem. Attempting to create an image that never gets old, they experiment with virtual, ideal forms. Poems and novels become workshops, as fragments of the real world are scr
606   $aLiterature, Modern$xHistory and criticism
606   $aTime in literature
615  0$aLiterature, Modern$xHistory and criticism.
615  0$aTime in literature.
676   $a809/.93384
700   $aClune$b Michael W$01721320
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910818981203321
996   $aWriting against time$94120805
997   $aUNINA