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100   $a20100305d2010      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aMusicologia $emusical knowledge from Plato to John Cage /$fRobin Maconie
205   $a1st ed.
210   $aLanham $cScarecrow Press$d2010
215   $a1 online resource (542 p.)
300   $aDescription based upon print version of record.
311   $a0-8108-7696-5 
320   $aIncludes bibliographical references and index.
327   $aCover; Title Page; Copyright Page; Dedication Page; Table of Contents; Introduction; 0: Go!; 1: The Aha! Theory of Creation; 2: Snake in a Tree; 3: Error; 4: Isolation; 5: Notations; 6: Wheels; 7: String Theory; 8: Paradox Regained; 9: Zeno's Arrow; 10: Path Integral; 11: Weights and Measures; 12: The Director's Cut; 13: Brane Waves; 14: Transition; 15: Transference; 16: Lecture on Nothing; 17: Atonality; 18: Sprechstimme; 19: Multiples; 20: A Cochlear Implant; 21: Serialism; 22: Schrodinger's Cat; 23: Prepared Piano; 24: Aleatory; 25: Satie's Captions; 26: Minimalism; 27: Graphic Music
327   $a28: Cluster Music29: Fractal Music; 30: Simultaneity; Bibliography; Index; About the Author
330   $aThis is the first study of its kind to address the presence of musical and acoustical metaphor in western science and philosophy from the time of the ancient Greeks to the present. The most difficult and controversial ideas of 20th century music are shown to connect with fundamental precepts of science and philosophy: existence, continuity, number, space, time, identity, and communication.
606   $aMusic$xPhilosophy and aesthetics
606   $aMusic and science
615  0$aMusic$xPhilosophy and aesthetics.
615  0$aMusic and science.
676   $a780
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700   $aMaconie$b Robin$01618285
801  0$bMiAaPQ
801  1$bMiAaPQ
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906   $aBOOK
912   $a9910818953203321
996   $aMusicologia$93968404
997   $aUNINA