LEADER 03525nam 2200577 a 450 001 9910818937203321 005 20240501160730.0 010 $a1-61249-148-0 010 $a1-280-12850-X 010 $a9786613532381 010 $a1-61249-149-9 035 $a(CKB)2670000000184614 035 $a(OCoLC)794488907 035 $a(CaPaEBR)ebrary10547140 035 $a(SSID)ssj0000606666 035 $a(PQKBManifestationID)11390927 035 $a(PQKBTitleCode)TC0000606666 035 $a(PQKBWorkID)10581778 035 $a(PQKB)11483383 035 $a(MiAaPQ)EBC4742587 035 $a(MiAaPQ)EBC3119197 035 $a(EXLCZ)992670000000184614 100 $a20150424d2011|||| u|| | 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSevero Sarduy and the Neo-Baroque Image of Thought in the Visual Arts /$fRolando Pérez 205 $a1st ed. 210 1$aWest Lafayette, IN, USA :$cPurdue University Press,$d2012. 215 $a1 online resource (332 p.) 225 0 $aPurdue studies in Romance literatures 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-55753-604-X 327 $aIntro -- Title -- Copyright -- Dedication -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- Chapter One: Sarduy as Critic of the Baroque and the Neo-Baroque Figure in Science and Art -- Figures of Scientific Rhetoric -- Figure I: The Perfect, Moral Circle of the High Renaissance -- Figure II: The Ellipse, or the Unnatural, "Perverted" Circle -- Figure III: Trompe l'?il and the Anamorphic Image -- Figure IV: The Aberrant Image of Simulation -- Figure V: The Neo-Mannerism of the Spanish, Colonial, and Neo-Baroque Image -- "Conclusion" by Way of the Retombée -- Chapter Two: Sarduy's Figural Art/Writing: Writing/Art Body -- The Architectural Body -- The Painterly Body: Bronzino, Rubens, and Beyond -- Biological Anamorphosis, Trompe l'?il, and Body Painting -- The Colonial and Monstrous Body -- Fetishism and the Body That Is Double . . . and More Than Double -- Fijeza, Yin-Yang, and the Inscribed Body of Sadomasochism -- The Eastern White Body of "Emptiness" -- Chapter Three: Big Bang, Klang Klang, and Painting -- The Pictorial/Rhetorical Figure of the Universe (Barroco and Big Bang) -- White: Red and Black -- From Mallarmé's Typography to Concrete Poetry and Galáxias -- The New World Baroque Aesthetics of Big Bang -- The Music in Painting/Writing: Lorca, Jazz, Mondrian, Kandinsky, Etc. -- The Figural Body of the Dance of Life and Death -- Conclusion -- Chapter Four: Colors, Bodies, Voices, and the Click-Clack of Theater -- The Four Primary Colors -- White, Black, and Red -- The Erotic Body -- Sound and Music -- Funerary Baroque -- Del Yin al Yang -- Decolonization: The Circle of Los matadores de hormigas -- Conclusion -- Conclusions < -- > -- Continuities -- Illustrations -- Notes -- Bibliography -- Index. 606 $aArt and literature 606 $aRomance Literatures$2HILCC 606 $aLanguages & Literatures$2HILCC 606 $aSpanish Literature$2HILCC 615 0$aArt and literature 615 7$aRomance Literatures 615 7$aLanguages & Literatures 615 7$aSpanish Literature 676 $a864/.64 700 $aPr?ez$b Rolando$01640644 801 0$bPQKB 906 $aBOOK 912 $a9910818937203321 996 $aSevero Sarduy and the Neo-Baroque Image of Thought in the Visual Arts$93984286 997 $aUNINA