LEADER 04304nam 2200757 450 001 9910818843203321 005 20230912124751.0 010 $a1-4426-8024-5 010 $a9786612039850 010 $a1-282-03985-7 024 7 $a10.3138/9781442680241 035 $a(CKB)2430000000001540 035 $a(OCoLC)431558992 035 $a(CaPaEBR)ebrary10219211 035 $a(SSID)ssj0000310577 035 $a(PQKBManifestationID)11244695 035 $a(PQKBTitleCode)TC0000310577 035 $a(PQKBWorkID)10308776 035 $a(PQKB)11712849 035 $a(CaBNvSL)slc00211318 035 $a(DE-B1597)464900 035 $a(OCoLC)944177535 035 $a(DE-B1597)9781442680241 035 $a(Au-PeEL)EBL4671986 035 $a(CaPaEBR)ebr11257673 035 $a(OCoLC)958572159 035 $a(VaAlCD)20.500.12592/g7z80z 035 $a(schport)gibson_crkn/2009-12-01/7/421024 035 $a(MiAaPQ)EBC4671986 035 $a(OCoLC)1389553853 035 $a(MdBmJHUP)musev2_105259 035 $a(MiAaPQ)EBC3255303 035 $a(EXLCZ)992430000000001540 100 $a20160922h19911991 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aStructures from the trivium in the Cantar de mi?o Cid /$fJames F. Burke 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1991. 210 4$dİ1991 215 $a1 online resource (248 p.) 225 1 $aUniversity of Toronto romance series,$x0082-5336 ;$v66 300 $aIncludes index. 311 $a0-8020-5947-3 320 $aIncludes bibliographical references and index. 327 $aPoetry and the trivium -- The dialectical and rhetorical education of the poet -- Refashioning the material : the art of the poet -- Finding the topics -- Dominicus Gundissalinus and the imaginative, poetic syllogism -- Defining and dividing the adventures of the hero -- "Tan buen di?a es hoy" : the positive frame of the poem -- Themes of awakening and manifestation -- The lion as symbol -- Rhetoric and the Cortes episode -- Economics and poetry : the false sign. 330 $aThe medieval poem Cantar de Mio Cid is one of the great works of Spanish literature. Its precise date is uncertain, and its author has never been identified. Some scholars believe that it was written by many authors who, over time, adapted earlier material. In this study James Burke considers the authorship of the poem as revealed in key structural components. Placing the Cantar de Mio Cid more in the emerging culture of writing than in the sphere of oral poetry, Burke maintains that the text was produced in a manner typical for the Middle Ages by a writer who followed procedures very specific to the period.Medieval writers were invariably educated in the basic subjects of the trivium: grammatica, rhetorica, and dialectica, taught in the 'middle schools' of the twelfth century. In the process they acquired techniques that enabled them to rewrite pre-existing materials of an authoritative character, emphasizing themes and ideas important for contemporaries.Burke argues that someone rewrote epic material having to do with the Cid in this way. Referring to a device described by the twelfth-century Spanish philosopher Dominicus Gundissalinus as 'the imaginative, poetic syllogism,' Burke identifies three instances of the device in the Cantar de Mio Cid. They support themes and motifs of awakening, manifestation, and revelation, and of the hero as exemplar.This volume sheds new light on a central work in Spanish literature and on medieval poetry in general. 410 0$aUniversity of Toronto romance series ;$v66 606 $aLiterature, Medieval$xThemes, motives 606 $aPoetics$xHistory$yTo 1500 608 $aHistory. 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aLiterature, Medieval$xThemes, motives. 615 0$aPoetics$xHistory 676 $a861/.1 700 $aBurke$b James F.$f1939-$0223205 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818843203321 996 $aStructures from the Trivium in the Cantar de Mio Cid$9100499 997 $aUNINA