LEADER 04058nam  2200829   450 
001 9910818839703321
005 20230912172721.0
010   $a1-282-02581-3
010   $a1-4426-7410-5
010   $a9786612025815
024 7 $a10.3138/9781442674103
035   $a(CKB)2430000000001237
035   $a(OCoLC)666911946
035   $a(CaPaEBR)ebrary10200789
035   $a(SSID)ssj0000294315
035   $a(PQKBManifestationID)11206502
035   $a(PQKBTitleCode)TC0000294315
035   $a(PQKBWorkID)10311905
035   $a(PQKB)11273143
035   $a(CaPaEBR)417847
035   $a(CaBNvSL)thg00600503
035   $a(DE-B1597)464414
035   $a(OCoLC)946711807
035   $a(DE-B1597)9781442674103
035   $a(Au-PeEL)EBL4671445
035   $a(CaPaEBR)ebr11257155
035   $a(OCoLC)958571946
035   $a(OCoLC)1377279000
035   $a(MdBmJHUP)musev2_104684
035   $a(VaAlCD)20.500.12592/wb4d7v
035   $a(schport)gibson_crkn/2009-12-01/6/417847
035   $a(MiAaPQ)EBC4671445
035   $a(MiAaPQ)EBC3251235
035   $a(EXLCZ)992430000000001237
100   $a20160922h19981998  uy             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aDrawn from life $escience and art in the portrayal of the New World /$fVictoria Dickenson
210  1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1998.
210  4$dİ1998
215   $a1 online resource (341 p.)
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-8020-8073-1 
311   $a0-8020-4225-2 
320   $aIncludes bibliographical references and index.
327   $tIntroduction: The Bittern from Hudson's-Bay --$gCh. 1.$tEmblematic Animals.$tGlimpses of the New World: Early Maps of North America.$tMarks and Emblems: Claiming a New World.$tWords into Pictures: The Su, the Bison, and the Simivulpa --$gCh. 2.$tNaturalism and the Counterfeit of Nature.$tThe Development of Naturalism.$tThe Representation as Counterfeit.$tTranslating the Image: The Value of Repeated Pictorial Statement --$gCh. 3.$tThe Living Image.$tCornut and the Canadensium Plantarum.$tThe Herbal Tradition.$tThe Sea of Simples.$tThe Book of God's Works: The Garden in Print.$tCornut and Charlevoix --$gCh. 4.$tThe Redefinition of Landscape.$t... a vast and prodigious Cadence of Water.$tThe Conventions of Landscape.$tThe Deer Park.$tThe Imposition of Order.
330 1 $a"The use of images as evidence in historical writing has been largely neglected by historians, though recent interest in the importance of visualization in scientific literature has led to a reappraisal of their value. In Drawn from Life, Victoria Dickenson uncovers a vast pictorial tradition of 'scientific illustration' that reveals how artists and writers from the late sixteenth to the early nineteenth century portrayed the natural history and landscape of North America to European readers." "Dickenson undertakes a close reading of the images created by European artists, most of whom had never seen North America, and unravels the threads that linked the images to the curiosities and specimens that reached the Old World."--Jacket
606   $aNatural history illustration$zEurope$xHistory
606   $aNatural history illustration$zNorth America$xHistory
606   $aArt and science$xHistory
607   $aKanada$2gnd
607   $aNorth America$2fast
607   $aEurope$2fast
608   $aLivres numeriques.
608   $aHistory.
608   $ae-books.
608   $aElectronic books. 
615  0$aNatural history illustration$xHistory.
615  0$aNatural history illustration$xHistory.
615  0$aArt and science$xHistory.
676   $a508/.022/2
700   $aDickenson$b Victoria$01170873
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910818839703321
996   $aDrawn from life$93996728
997   $aUNINA