LEADER 03300nam  22005532  450 
001 9910818834403321
005 20201123124944.0
010   $a1-64189-957-3
010   $a1-64189-289-7
024 7 $a10.1515/9781641892896
035   $a(CKB)4100000008869614
035   $a(MiAaPQ)EBC5841980
035   $a(DE-B1597)541616
035   $a(OCoLC)1104036283
035   $a(DE-B1597)9781641892896
035   $a(UkCbUP)CR9781641892896
035   $a(EXLCZ)994100000008869614
100   $a20201011d2019||||  uy|            0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aChrist on a donkey $ePalm Sunday, triumphal entries, and blasphemous pageants /$fMax Harris$b[electronic resource]
210  1$aLeeds :$cArc Humanities Press,$d2019.
215   $a1 online resource (xii, 277 pages) $cdigital, PDF file(s)
225 1 $aEarly social performance
300   $aTitle from publisher's bibliographic system (viewed on 20 Nov 2020).
311   $a1-64189-287-0 
320   $aIncludes bibliographical references (pages 231-268) and index.
327   $aIntroduction: From pomp to donkeys -- I. Triumphal entries: from charlemagne to Oliver Cromwell. Charlemagne's birthday pomp -- Kings dead or alive -- Warrior popes -- Mud, plauge, and the Lord Protector -- II. Palm Sunday processions: from Egeria to Peter the Great. Palms of victory -- Exalted and eccentric images -- Crusaders, patriarchs, and emperors -- The horse with donkey's ears -- James Nayler and Jesus of Nazareth. James Nayler's royal progress -- Jesus on a jackass -- I.A scarcity of donkeys: from Udine to El Alto. Under Muslim rule -- White horses and imagined donkeys -- Live donkeys at last -- II. Wooden Christs on wooden donkeys" from Augsburg to Chiquitos. An image of the Lord seated on an ass -- The Lord God belongs to the butchers -- The persecution of the Palmesel -- Baroque splendour and Catholic Enlightenment -- The donkey that walked on water -- Survivals and revivals -- Conclusion: Christ dismembered and the bombing of Lu?beck.
330   $a'Christ on a Donkey' reveals Palm Sunday processions and related royal entries as both processional theatre and highly charged interpretations of the biblical narrative. Harris's narrative ranges from ancient Jerusalem to modern-day Bolivia, from veneration to iconoclasm, and from Christ to Ivan the Terrible. A curious theme emerges: those representations of Christ's entry into Jerusalem that were labelled blasphemous or idolatrous by those in power were most faithful to the biblical narrative of Palm Sunday, while those that exalted power and celebrated military triumph were arguably blasphemous pageants.
410  0$aEarly social performance.
606   $aPalm Sunday
606   $aProcessions, Religious$xChristianity
610   $aDonkeys.
610   $aPalm Sunday.
610   $aProcessions.
610   $aTriumphal Entries.
615  0$aPalm Sunday.
615  0$aProcessions, Religious$xChristianity.
676   $a263.925
700   $aHarris$b Max$f1949-$01604576
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a9910818834403321
996   $aChrist on a donkey$94125008
997   $aUNINA