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200 10$aRubble films $eGerman cinema in the shadow of the Third Reich /$fRobert R. Shandley
205   $a1st ed.
210   $aPhiladelphia, Pa. $cTemple University Press$dc2001
215   $a1 online resource (237 p.)
300   $aDescription based upon print version of record.
311   $a1-56639-878-9 
311   $a1-56639-877-0 
320   $aIncludes bibliographical references (p. 205-210), filmography (p. 211-218) and index.
327   $aContents; Acknowledgments; Introduction; 1. Dismantling the Dream Factory: The Film Industry in Berubbled Germany; 2. Coming Home through Rubble Canyons:The Murderers Are among Us and Generic Convention; 3. It's a Wonderful Reich: Private Innocence and Public Guilt; 4. The Sword That Smote You: Jewish Filmmakers and the Visual Reconstruction of Jews in German Film; 5. The Trouble with Rubble: DEFA's Social Problem Films; 6. Comedic Redemption and the End of Rubble Film Discourse; Conclusion: The Vanishing Rubble Film in Postwar Historiography; Notes; Selected Bibliography; Filmography; Index
330   $aAt the end of World War II, Germany was a broken nation. Split in two and occupied by the victorious Allies, it would have to be rebuilt, literally, from the rubble of its own defeat. Volumes of books have been published chronicling its structural and economic rebirth; this unique study reveals how Germany rebuilt itself culturally.Rubble Films is a close look at German cinema in the immediate postwar era, and a careful examination of its relationship to Allied occupation. Shandley reveals how German film borrowed -- both literally and figuratively -- from its Nazi past, an
606   $aMotion pictures$zGermany$xHistory
606   $aRubble films$zGermany$xHistory and criticism
615  0$aMotion pictures$xHistory.
615  0$aRubble films$xHistory and criticism.
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