LEADER 08245nam 2201165 450 001 9910818785503321 005 20230803034322.0 010 $a1-61811-376-3 024 7 $a10.1515/9781618113764 035 $a(CKB)3710000000082273 035 $a(EBL)3110539 035 $a(SSID)ssj0001127776 035 $a(PQKBManifestationID)11642447 035 $a(PQKBTitleCode)TC0001127776 035 $a(PQKBWorkID)11152861 035 $a(PQKB)11718274 035 $a(MiAaPQ)EBC3110539 035 $a(DE-B1597)540881 035 $a(OCoLC)1135568007 035 $a(DE-B1597)9781618113764 035 $a(Au-PeEL)EBL3110539 035 $a(CaPaEBR)ebr10822260 035 $a(CaONFJC)MIL580347 035 $a(OCoLC)922977841 035 $a(EXLCZ)993710000000082273 100 $a20140107h20132013 uy| 0 101 0 $aeng 135 $aurnn#---|u||| 181 $ctxt 182 $cc 183 $acr 200 04$aThe Russian cinema reader$hVolume two$iThe thaw to the present /$fedited by Rimgaila Salys 210 1$aBoston :$cAcademic Studies Press,$d2013. 210 4$dİ2013 215 $a1 online resource (310 p.) 225 0 $aCultural Syllabus 225 0$aCultural syllabus 300 $aDescription based upon print version of record. 311 0 $a1-61811-321-6 320 $aIncludes bibliographical references. 327 $tFront matter --$tContents --$tList of Illustrations --$tPreface /$rSalys, Rimgaila --$tAcknowledgments --$tImage Credits --$tPart Four --$tCinema of the Thaw 1953-1967 /$rProkhorov, Alexander --$tThe Cranes are Flying/Letiat zhuravli --$tIntroduction --$tReconfiguring the War and Family Tropes in Thaw-Era Homefront Melodrama /$rProkhorov, Alexander --$tBallad of a Soldier/Ballada o soldate /$rJohnson, Vida --$tLenin's Guard/Zastava Il'icha /$rProkhorov, Alexander --$tWings/Kryl'ia --$tIntroduction --$tFlight Without Wings: The Subjectivity of a Female War Veteran in Larisa Shepit'ko's Wings /$rMikhailova, Tatiana / Lipovetsky, Mark --$tCommissar/Komissar --$tIntroduction --$tSoviet Structuring Myths in The Commissar /$rMonastireva-Ansdell, Elena --$tPart Five --$tCinema of Stagnation Late 1960s-1985 /$rProkhorova, Elena --$tThe Diamond Arm/Brilliantovaia ruka /$rProkhorov, Alexander --$tWhite Sun of the Desert/Beloe solntse pustyni --$tIntroduction /$rProkhorova, Elena --$tWe Have Been Sitting Here for a Long Time /$rSalys, Rimgaila --$tSolaris/Soliaris /$rBird, Robert --$tStalker --$tIntroduction --$tStalker /$rJohnson, Vida T. / Petrie, Graham --$tAndrei Tarkovsky: The Elements of Cinema /$rBird, Robert --$tMoscow Does Not Believe in Tears/Moskva slezam ne verit --$tIntroduction --$tThe Cultural Logic of Late Socialism /$rKaganovsky, Lilya --$tPart Six --$tPerestroika and Post-Soviet Cinema 1985-2000s /$rJohnson, Vida / Stishova, Elena --$tRepentance/Monanieba (georgian); Pokaianie (russian) --$tIntroduction --$tSigns and Symbols: Repentance's Stylistic Devices /$rWoll, Josephine / Youngblood, Denise J. --$tLittle Vera/Malen'kaia Vera --$tIntroduction --$tBetween Joy and Suicide: Fathers, Daughters, and Little Vera /$rHorton, Andrew / Brashinsky, Mikhail --$tBurnt by the Sun/Utomlennye solntsem --$tIntroduction --$tBurnt by the Sun /$rBeumers, Birgit --$tBurnt by the Sun /$rLarsen, Susan --$tBrother/Brat --$tIntroduction --$tBrother /$rBeumers, Birgit --$tRussian Ark/Russkii kovcheg /$rBird, Robert --$tThe Return/Vozvrashchenie --$tIntroduction --$tTarkovsky's Return, or Zviagintsev's Vozvrashchenie /$rBeumers, Birgit --$tArrested Returns /$rVicks, Meghan --$tNight Watch/Nochnoi dozor /$rStrukov, Vlad --$tThe Tuner/Nastroishchik /$rCondee, Nancy --$tNinth Company/Deviataia rota /$rCarleton, Gregory --$tHow I Ended This Summer/Kak ia provel etim letom /$rStrukov, Vlad 330 $aThis two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses. Volume one films: Sten'ka Razin, The Cameraman's Revenge, The Merchant Bashkirov's Daughter, Child of the Big City, The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks, Battleship Potemkin, Bed and Sofa, Man with a Movie Camera, Earth, Chapaev, Circus, Ivan the Terrible, Parts I and II. Volume two films: The Cranes are Flying, Ballad of a Soldier, Lenin's Guard, Wings, Commissar, The Diamond Arm, White Sun of the Desert, Solaris, Stalker, Moscow Does Not Believe in Tears, Repentance, Little Vera, Burnt by the Sun, Brother, Russian Ark, The Return, Night Watch, The Tuner, Ninth Company, How I Ended This Summer. Contributors: Birgit Beumers, Robert Bird, David Bordwell, Mikhail Brashinsky, Oksana Bulgakova, Gregory Carlson, Nancy Condee, Julian Graffy, Jeremy Hicks, Andrew Horton, Steven Hutchings, Vida Johnson, Lilya Kaganovsky, Vance Kepley, Jr., Susan Larsen, Mark Lipovetsky, Tatiana Mikhailova, Elena Monastireva-Ansdell, Joan Neuberger, Vlada Petri?, Graham Petrie, Alexander Prokhorov, Elena Prokhorova, Rimgaila Salys, Elena Stishova, Vlad Strukov, Yuri Tsivian, Meghan Vicks, Josephine Woll, Denise J. Youngblood 410 0$aCultural Syllabus 517 3 $aThaw to the present 606 $aMotion pictures$zRussia (Federation)$xHistory and criticism 606 $aMotion pictures$zRussia (Federation)$xHistory$y20th century 606 $aMotion pictures$zRussia (Federation)$xHistory$y21st century 606 $aMotion pictures$zRussia$xHistory$y20th century 606 $aMotion pictures$zSoviet Union$xHistory and criticism 606 $aMotion pictures$zSoviet Union$xHistory$y20th century 607 $aSoviet Union$xHistory$y1953-1985 610 $aBallad of a Soldier. 610 $aBrother. 610 $aBurnt by the Sun. 610 $aCommissar. 610 $aEastern Europe. 610 $aHow I Ended This Summer. 610 $aLenin's Guard. 610 $aLittle Vera. 610 $aMoscow Does Not Believe in Tears. 610 $aNight Watch. 610 $aNinth Company. 610 $aRepentance. 610 $aRussia. 610 $aRussian Ark. 610 $aRussian Thaw. 610 $aSolaris. 610 $aSoviet. 610 $aStalker. 610 $aThe Cranes are Flying. 610 $aThe Diamond Arm. 610 $aThe Return. 610 $aThe Tuner. 610 $aWhite Sun of the Desert. 610 $aWings. 610 $aaesthetics. 610 $aanalysis. 610 $aart. 610 $acinema. 610 $aculture. 610 $afilm. 610 $ahistory. 610 $amotion pictures. 610 $amovies. 610 $asilent film. 615 0$aMotion pictures$xHistory and criticism. 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xHistory 615 0$aMotion pictures$xHistory and criticism. 615 0$aMotion pictures$xHistory 676 $a791.4309 701 $aSalys$b Rimgaila$01604905 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818785503321 996 $aThe Russian cinema reader$93929887 997 $aUNINA