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100   $a20180331d2003      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aCaptive audience $eprison and captivity in contemporary theater /$fedited by Thomas Fahy and Kimball King
205   $a1st ed.
210  1$aNew York :$cRoutledge,$d2003.
215   $a1 online resource (207 p.)
225 1 $aStudies in modern drama ;$v19
300   $aDescription based upon print version of record.
311   $a0-203-60507-1 
311   $a0-415-96580-2 
320   $aIncludes bibliographical references and index.
327   $aBook Cover; Title; Contents; General Editor's Note; CAPTIVE AUDIENCE: AN INTRODUCTION; THE CONFESSIONAL VOICE: MEDEA'S BRUTAL IMAGINATION; EMOTIONAL CONTRABAND: PRISON AS METAPHOR AND MEANINGIN U.S. LATINA DRAMA; SEEING ETHNICITY: THE IMPACT OF RACE AND CLASS ON THE CRITICAL RECEPTION OF MIGUEL PIERO'S SHORT EYES; ON PRISONS IN THE UNITED STATES: EXTRACT FROM A SPEECH DELIVERED TO THE CONFEDERATION OF ANALYTICAL PSYCHOLOGISTS, LONDON, 25 JUNE 1999; HAROLD PINTER'S PRISON HOUSE: THE SCREENPLAY OF KAFKA'S THE TRIAL; HAROLD PINTER'S THE HANDMAID'S TALE: FREEDOM, PRISON, AND A HIJACKED SCRIPT
327   $a~A WORLD OF BODIES~: PERFORMING FLESH IN MARAT/SADETHE DISPOSAL: WILLIAM INGE'S ABJECT DRAMA; ~IN DARK CORNERS~: MASCULINITY AND ART IN TENNESSEE WILLIAMS'S NOTABOUT NIGHTINGALES; PHYSICAL PRISONS: NAOMI WALLACE'S DRAMA OF CAPTIVITY; NO EXIT AND WAITING FOR GODOT: PERFORMANCES IN CONTRAST; Contributors; Index
330   $aThis all-new collection examines the social, gendered, ethnic, and cultural problems of incarceration as explored in contemporary theatre.
410  0$aStudies in modern drama ;$v19.
606   $aDrama$y20th century$xHistory and criticism
606   $aPrisons in literature
606   $aPrisoners in literature
606   $aImprisonment in literature
615  0$aDrama$xHistory and criticism.
615  0$aPrisons in literature.
615  0$aPrisoners in literature.
615  0$aImprisonment in literature.
676   $a809.2/9355
676   $a809.29355
701   $aFahy$b Thomas Richard$01593724
701   $aKing$b Kimball$01593725
801  0$bFlBoTFG
801  1$bFlBoTFG
906   $aBOOK
912   $a9910818725703321
996   $aCaptive audience$93976722
997   $aUNINA