LEADER 04115nam 2200745 450 001 9910818711303321 005 20230807221124.0 010 $a0-8232-6678-8 010 $a0-8232-6441-6 010 $a0-8232-6440-8 024 7 $a10.1515/9780823264407 035 $a(CKB)3710000000450510 035 $a(EBL)3430741 035 $a(SSID)ssj0001515008 035 $a(PQKBManifestationID)12539298 035 $a(PQKBTitleCode)TC0001515008 035 $a(PQKBWorkID)11480034 035 $a(PQKB)10359592 035 $a(StDuBDS)EDZ0001283655 035 $a(MiAaPQ)EBC3430741 035 $a(OCoLC)914289674 035 $a(MdBmJHUP)muse43518 035 $a(DE-B1597)555122 035 $a(DE-B1597)9780823264407 035 $a(Au-PeEL)EBL3430741 035 $a(CaPaEBR)ebr11087930 035 $a(CaONFJC)MIL818744 035 $a(OCoLC)930706530 035 $a(OCoLC)914229950 035 $a(EXLCZ)993710000000450510 100 $a20150819h20152015 uy 0 101 0 $aeng 135 $aurnnu---|u||u 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aThresholds of listening $esound, technics, space /$fedited by Sander van Maas 205 $aFirst edition. 210 1$aNew York, [New York] :$cFordham University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (324 pages) 300 $aIncludes index. 311 0 $a0-8232-6438-6 311 0 $a0-8232-6437-8 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tCONTENTS --$tACKNOWLEDGMENTS --$tIntroduction --$t1. The Auditory Re-Turn (The Point of Listening) --$t2. ?Dear Listener . . .?: Music and the Invention of Subjectivity --$t3. Scenes of Devastation: Interpellation, Finite and Infinite --$t4. Positive Feedback: Listening behind Hearing --$t5. ?Antennas Have Long Since Invaded Our Brains? --$t6. Movement at the Boundaries of Listening, Composition, and Performance --$t7. The Biopolitics of Noise: Kafka?s ?Der Bau? --$t8. Torture as an Instrument of Music --$t9. Stop It, I Like It! --$t10. Sounds of Belonging --$t11. Back to the Beat --$t12. The Discovery of Slowness in Music --$t13. Negotiating Ecstasy --$tNOTES --$tCONTRIBUTORS --$tINDEX 330 $aThresholds of Listening addresses recent and historical changes in the ways listening has been conceived. Listening, having been emancipated from the passive, subjected position of reception, has come to be asserted as an active force in culture and in collective and individual politics. The contributors to this volume show that the exteriorization of listening? brought into relief by recent historical studies of technologies of listening?involves a re-negotiation of the theoretical and pragmatic distinctions that underpin the notion of listening. Focusing on the manifold borderlines between listening and its erstwhile others, such as speaking, reading, touching, seeing, or hearing, the book maps new frontiers in the history of aurality. They suggest that listening?s finitude? defined in some of the essays as its death or deadliness?should be considered as a heuristic instrument rather than as a mere descriptor. Listening emerges where it appears to end or to run up against thresholds and limits?or when it takes unexpected turns. Listening?s recent emergence on the cultural and theoretical scene may therefore be productively read against contemporary recurrences of the motifs of elusiveness, finitude, and resistance to open up new politics, discourses, and technologies of aurality. 606 $aListening (Philosophy) 610 $aaddress. 610 $aaurality'. 610 $ahearing technology. 610 $aliminal. 610 $alistening. 610 $asenses. 610 $atropes. 615 0$aListening (Philosophy) 676 $a128/.4 702 $aMaas$b Sander van 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818711303321 996 $aThresholds of listening$94001705 997 $aUNINA