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101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aAfter Dickens $ereading, adaptation, and performance /$fJohn Glavin
205   $a1st ed.
210   $aCambridge [England] ;$aNew York $cCambridge University Press$d1999
215   $a1 online resource (xiii, 226 pages) $cdigital, PDF file(s)
225 1 $aCambridge studies in nineteenth-century literature and culture ;$v20
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311   $a0-511-00370-6 
311   $a0-521-63322-2 
320   $aIncludes bibliographical references (p. 216-222) and index.
327   $gpt. I.$tSet up.$g1.$tDickens, adaptation and Grotowski.$g2.$t... as upon a theatre --$gpt. II.$tFlashback.$g3.$t... to be a Shakespeare.$g4.$tExit: "the sanguine mirage" --$gpt. III.$tResolution.$g5.$tHow to do it.$g6.$tCoda.
330   $aAfter Dickens is both a performative reading of Dickens the novelist and an exploration of the potential for adaptive performance of the novels themselves. John Glavin conducts a historical inquiry into Dickens's relationship to the theatre and theatricality of his own time, and uncovers a much more ambivalent, often hostile, relationship than has hitherto been noticed. In this context, Dickens's novels can be seen as a form of counter-performance, one which would allow the author to perform without being seen or scrutinized. But Glavin also identifies a rich performative potential in Dickens's fiction, and describes new ways to stage that fiction in emotionally powerful, critically acute adaptations. The book as a whole, therefore, offers a reading of Dickens through an unusual alliance between literary criticism and theatrical performance.
410  0$aCambridge studies in nineteenth-century literature and culture ;$v20.
606   $aPerforming arts$zGreat Britain$xHistory$y19th century
606   $aPerforming arts in literature
606   $aStage adaptations
615  0$aPerforming arts$xHistory
615  0$aPerforming arts in literature.
615  0$aStage adaptations.
676   $a823/.8
700   $aGlavin$b John$01673067
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