LEADER 03222nam 2200673 450 001 9910818673703321 005 20230912154452.0 010 $a1-282-01159-6 010 $a9786612011597 010 $a1-4426-7530-6 024 7 $a10.3138/9781442675308 035 $a(CKB)2420000000004082 035 $a(OCoLC)244767349 035 $a(CaPaEBR)ebrary10218690 035 $a(SSID)ssj0000297477 035 $a(PQKBManifestationID)12062456 035 $a(PQKBTitleCode)TC0000297477 035 $a(PQKBWorkID)10334495 035 $a(PQKB)10572800 035 $a(CaBNvSL)slc00211135 035 $a(DE-B1597)464502 035 $a(OCoLC)944178041 035 $a(DE-B1597)9781442675308 035 $a(Au-PeEL)EBL4671551 035 $a(CaPaEBR)ebr11257257 035 $a(OCoLC)958579326 035 $a(VaAlCD)20.500.12592/0skrfm 035 $a(schport)gibson_crkn/2009-12-01/7/421003 035 $a(MiAaPQ)EBC4671551 035 $a(MiAaPQ)EBC3254786 035 $a(EXLCZ)992420000000004082 100 $a20160921h19911991 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe German Nachspiel in the eighteenth century /$fDavid G. John 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1991. 210 4$dİ1991 215 $a1 online resource (424 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8020-2771-7 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tAcknowledgments -- $tIntroduction -- $t1. Towards a Definition of the Nachspiel -- $t2. Repertoires and Performances of Itinerant Troupes and Standing Theatres in the Eighteenth Century -- $t3. Three Unpublished Nachspiele -- $t4. The Extant Nachspiel: Text and Performance -- $t5. The Nachspiel as Text before 1770 -- $t6. The Nachspiel as Text after 1770 -- $t7. Acting: Talent and Rules -- $t8. The Socio-Critical Nachspiel: Text and Performance -- $t9. Between Text and Performance: Censorship -- $tConclusion -- $tAppendix 1. Overview of Primary Works -- $tAppendix 2. Documented Performances of Extant Nachspiele -- $tAnnotated Bibliography of the German Nachspiel -- $tSecondary Works Cited -- $tIndex of Nachspiel Titles -- $tIndex of Names 330 $aJohn defines the Nachspiel genre and undertakes an intensive investigation of its nature, function, and forms. By surveying theatrical writings of both eighteenth- and twentieth-century authors, he determines the prevailing understanding of the Nachspiel and many of the contradictions associated with it. 606 $aGerman drama$y18th century$xHistory and criticism 606 $aGerman drama (Comedy)$xHistory and criticism 615 0$aGerman drama$xHistory and criticism. 615 0$aGerman drama (Comedy)$xHistory and criticism. 676 $a832/.05230906 700 $aJohn$b David Gethin$f1947-$01615273 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818673703321 996 $aThe German Nachspiel in the eighteenth century$94107450 997 $aUNINA