LEADER 04449nam 2200853 450 001 9910818673103321 005 20231206210452.0 010 $a0-8020-8827-9 010 $a1-281-99624-6 010 $a9786611996246 010 $a1-4426-7370-2 024 7 $a10.3138/9781442673700 035 $a(CKB)2430000000001819 035 $a(EBL)3255207 035 $a(OCoLC)923071047 035 $a(SSID)ssj0000293407 035 $a(PQKBManifestationID)11211440 035 $a(PQKBTitleCode)TC0000293407 035 $a(PQKBWorkID)10273735 035 $a(PQKB)10460316 035 $a(SSID)ssj0001420499 035 $a(PQKBManifestationID)12619602 035 $a(PQKBTitleCode)TC0001420499 035 $a(PQKBWorkID)11403762 035 $a(PQKB)11431902 035 $a(CaBNvSL)thg00600901 035 $a(DE-B1597)464386 035 $a(OCoLC)1013955270 035 $a(OCoLC)944178294 035 $a(DE-B1597)9781442673700 035 $a(Au-PeEL)EBL4671409 035 $a(CaPaEBR)ebr11257119 035 $a(CaONFJC)MIL199624 035 $a(OCoLC)958571901 035 $a(VaAlCD)20.500.12592/3vk53s 035 $a(schport)gibson_crkn/2009-12-01/6/418609 035 $a(MiAaPQ)EBC4671409 035 $a(OCoLC)804824185 035 $a(MdBmJHUP)musev2_104648 035 $a(MiAaPQ)EBC3255207 035 $a(MiAaPQ)EBC3296965 035 $a(EXLCZ)992430000000001819 100 $a20160914h20042004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aDante, cinema, and television /$fedited by Amilcare A. Iannucci 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2004. 210 4$dİ2004 215 $a1 online resource (264 p.) 225 1 $aToronto Italian Studies 300 $aDescription based upon print version of record. 311 $a0-8020-3512-4 311 $a0-8020-8601-2 320 $aIncludes bibliographical references and index. 327 $tDante and Hollywood /$rAmilcare A. Iannucci --$tEarly cinema, Dante's Inferno of 1911, and the origins of Italian film culture /$rJohn P. Welle --$tThe Helios-Psiche Dante trilogy /$rVittoria Colonnese Benni --$tBack to the future: Dante and the languages of post-war Italian film /$rMarguerite R. Waller --$tBeginning to think about Salo? /$rGabrielle Lesperance --$tThe off-screen landscape: Dante's Ravenna and Antonioni's Red desert /$rVictoria Kirkham --$tSpencer Williams and Dante: an African-American filmaker at the Gates of Hell /$rDennis Looney --$tTelevision, translation, and vulgarization: reflections on Phillips' and Greenaway's A TV Dante /$rAndrew Taylor --$tDopo Tanto Veder: Pasolini's Dante after the disappearance of the fireflies /$rPatrick Rumble --$t'Non senti come tutto questo ti assomiglia?' Fellini's infernal circles /$rGuido Fink --$tDante and Canadian cinema /$rJohn Tulk --$tDante and cinema: film across a chasm /$rBart Testa --$tDante by heart and Dante declaimed: the "realization' of the Comedy on Italian radio and television /$rRino Caputo. 330 1 $a"Although Dante's influence in the literary sphere is well documented, little has been written on his role in the evolution of the visual media unique to our times, namely cinema and television. Dante, Cinema, and Television corrects this oversight." "The essays in this volume, written by scholars from a broad range of disciplines, examine the impact of the Divine Comedy on film and television, focusing on specific directors, writers, producers, and actors, from cinema's silent era to the present. The essays also consider individual productions and the different modes of appropriation used in cinema and television. Dante Cinema, and Television demonstrates the many ways, both subtle and bold, in which Dante's Divine Comedy has been given new life by cinema and television, and underscores Dante's vast legacy to modern culture."--Jacket. 410 0$aToronto Italian studies. 606 $aMotion pictures$zItaly 607 $aItaly$2fast 608 $aHistory. 608 $aElectronic books. 615 0$aMotion pictures 676 $a791.43/651 702 $aIannucci$b Amilcare A. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818673103321 996 $aDante, cinema, and television$94107445 997 $aUNINA