LEADER 09401nam 22006133 450 001 9910818623903321 005 20231110213014.0 010 $a1-118-47540-2 010 $a1-118-47543-7 010 $a1-118-47545-3 035 $a(CKB)4330000000006345 035 $a(MiAaPQ)EBC6795947 035 $a(Au-PeEL)EBL6795947 035 $a(NjHacI)994330000000006345 035 $a(BIP)067557632 035 $a(OCoLC)1085576151 035 $a(EXLCZ)994330000000006345 100 $a20211214d2021 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA Companion to Modern and Contemporary Latin American and Latina/o Art 210 1$aNewark :$cJohn Wiley & Sons, Incorporated,$d2021. 210 4$d©2022. 215 $a1 online resource (724 pages) 225 1 $aBlackwell Companions to Art History 311 $a1-118-47541-0 320 $aIncludes bibliographical references and index. 327 $aIntro -- Table of Contents -- Series Page -- Title Page -- Copyright Page -- List of Illustrations -- About the Editors -- Notes on Contributors -- Series Editor's Preface -- Introduction -- References -- Part I: 1910-1945 -- 1 Art After the Mexican Revolution -- 1.1 Introduction -- 1.2 Mural Painting -- 1.3 Prints -- 1.4 Photography -- 1.5 Conclusion -- References -- 2 The Reinvention of the "Semana de Arte Moderna" -- 2.1 1922 -- 2.2 1932 -- 2.3 1942 -- 2.4 1952 and After -- References -- 3 José Carlos Mariátegui and the Eternal Dawn of Revolution -- 3.1 Epoch and Revolution -- 3.2 Socialism, Indigenism, and the Nation -- 3.3 Conclusion: Mariátegui, His Times and Beyond -- References -- 4 National Values -- References -- 5 Photography, Avant?Garde, and Modernity -- 5.1 A Violent and Expansive Medium -- 5.2 The Gender of Modernity9 -- 5.3 Picturing Other, Picturing Self -- 5.4 Errant Europe -- References -- Further Reading -- Part II: 1945-1959 -- 6 Wifredo Lam, Aimé Césaire, Eugenio Granell, André Breton -- References -- 7 The Oscillation Between Myth and Criticism -- 7.1 The Ancient Modern (1950) -- 7.2 Mexican But Universal -- 7.3 Duchamp and Analogy: The Criticism of Things -- References -- 8 Latin American Abstraction (1934-1969) -- 8.1 Uruguay, 1935-1938 -- 8.2 Argentina, 1945-1949 -- 8.3 Argentina, 1955 -- Brazil, 1949-1957 -- 8.4 Venezuela, 1955-1968 -- 8.5 Venezuela, 1969 -- Brazil, 1959-1967 -- References -- 9 Architectural Modernism and Its Discontents -- 9.1 Modern Tropicality: The Brazilian Pavilion in New York, 1939-1940 -- 9.2 Back to the South: Cities, Politics, and Nature -- References -- Further Reading -- 10 The Realism?Abstraction Debate in Latin America -- 10.1 The Question of the People -- 10.2 The Question of Autonomy -- 10.3 The Question of Efficacy -- 10.4 The Question of the Individual -- 10.5 Conclusion -- References. 327 $a11 São Paulo and Other Models -- 11.1 São Paulo, 1951: In the Mold of Venice? -- 11.2 The BSP and Latin America -- 11.3 From São Paulo to Havana via Medellín -- 11.4 Conclusion: Forever an Artistic Center That Is Everywhere Known -- References -- Part III: 1959-1973 -- 12 Art and the Cuban Revolution -- 12.1 Introduction -- 12.2 The 1950s -- 12.3 An Early Conflict -- 12.4 Marxisms -- 12.5 A Brief Utopic Moment -- 12.6 Three Case Studies -- 12.7 Conclusion -- References -- 13 The Myths of Hélio Oiticica -- References -- 14 Between Chaos and the Furnaces -- 14.1 Figuration, Destruction, and the Image -- 14.2 Ghost Messages -- 14.3 An Art of Signifieds -- 14.4 Systems and New Images -- References -- 15 Chicana/o Art -- 15.1 Introduction -- 15.2 Al principio ? -- 15.3 Chicano Art in the Community -- 15.4 Conclusion -- References -- 16 Cold War Intellectual Networks -- 16.1 Introduction -- 16.2 Southern Networks -- 16.3 Inter?American Networks -- 16.4 Resisting Networks -- 16.5 Conclusion -- References -- Further Reading -- 17 José Gómez Sicre and the Inter?American Exhibitions of the Pan American Union -- 17.1 Introduction -- 17.2 José Gómez Sicre's Curatorial Values -- 17.3 Early Inter?American Exhibitions at the PAU -- 17.4 The Alliance for Progress Years -- 17.5 The Legacies of the PAU Inter?American Exhibitions -- References -- 18 "? A Place for Us" -- References -- Part IV: 1973-1990 -- 19 An "Other" Possible Revolution -- 19.1 Idea as Art -- 19.2 Art as Attitude -- 19.3 Attitude as Revolution -- 19.4 Interruptions -- References -- Further Reading -- 20 Art in Chile After 1973 -- 20.1 The Dominant Theory: The Avant?Garde and Modernization -- 20.2 Utopian Modernisms, Traumatic Modernisms -- References -- Further Reading -- 21 Cold War Conceptualism -- 21.1 A New Aesthetics for 1968 -- 21.2 Collectivity - A Conceptualist Aesthetico?Politics. 327 $a21.3 Cold War Conceptualism: Three Models -- 21.3a TAI's Althusserian Aesthetics of Ideology Critique -- 21.3b No?Grupo and "Non?objectualism" -- 21.3c Grupo Proceso Pentágono -- 21.4 Conclusion -- References -- Further Reading -- 22 Asco in Three Acts -- 22.1 Act I: Present Asco -- 22.2 Act II: Past Asco -- 22.3 Act III: Future Asco -- 22.4 Coda: Out of Time -- References -- 23 A Real Existence -- References -- Part V: 1990-2010 -- 24 Border Art -- 24.1 Introduction -- 24.2 Performative Protest: End of the Line -- 24.3 Allora and Calzadilla's Interventions in Vieques -- 24.4 Standing Still: Candiani's Battleground -- 24.5 Conclusion -- References -- 25 Walking with the Devil: Art, Culture, and Internationalization -- 26 Is This What Democracy Looks Like? Tania Bruguera and the Politics of Performance -- 26.1 Coda -- References -- 27 Shadows of the Doubtful Straight -- 27.1 Symbolic Possibilities: Gender and the Body -- 27.2 Object as Symbol and Vessel -- 27.3 Form as Expression -- 27.4 Conceptual Visions -- 27.5 Location, Space, and the Built Environment -- References -- Further Reading -- 28 Notes on the Dominican Diaspora in the United States -- 28.1 Introduction -- 28.2 Dominican Americans and Dominican American Art -- 28.3 Early Figures -- 28.4 Deeper Roots -- 28.5 Imagining Migration -- 28.6 Rethinking Race -- 28.7 Dominican American Art -- References -- 29 Antigonismos -- References -- 30 Art, Memory, and Human Rights in Argentina -- 30.1 Images That Were Present/Absent During the Years of Violence (1976-1983) -- 30.2 Portraits of the Disappeared and Memory of the Dictatorship -- 30.3 The Museography of Memory -- 30.4 Remembrance or Memorial Art -- References -- Further Reading -- Part VI: Approaches, Debates, and Methodologies -- 31 Time and Place -- 31.1 The Time of the Nation -- 31.2 The Time of Internationalism. 327 $a31.3 The Time of Contemporaneity -- References -- Further Reading -- 32 Is There Such a Thing as Latina/o Art? -- 32.1 Latina/o Art as Exhibition History -- 32.2 Latina/o Art as Practice -- 32.3 Latina/o Art as Critical Discourse -- References -- 33 The Expansion of Culture -- 33.1 Museums and Tourism -- 33.2 Sharing Patrimonies -- 33.3 What to Do with the Disinterested Public -- References -- Further Reading -- 34 A Question -- 34.1 Túkule's Bracelet -- 34.2 The Art of Others -- 34.3 Indigenous Art in Paraguay: Common Notes and Different Styles -- 35 What Is "Latin American Art" Today? -- References -- Index -- End User License Agreement. 330 $aWith increased public and scientific attention driven by factors such as oil price spikes, the need for increased energy security, and concerns over greenhouse gas emissions from fossil fuels, the production of fuels by biological systems is becoming increasingly important as the world seeks to move towards renewable, sustainable energy sources. Biofuels and Bioenergy presents a broad, wide-ranging and informative treatment of biofuels. The book covers historical, economic, industrial, sociological and ecological/environmental perspectives as well as dealing with all the major scientific issues associated with this important topic. With contributions from a range of leading experts covering key aspects, including: - Conventional biofuels.- Basic biology, biochemistry and chemistry of different types and classes of biofuel.- Current research in synthetic biology and GM in the development and exploitation of new biofuel sources.- Aspects relating to ecology and land use, including the fuel v food dilemma.- Sustainability of different types of biofuel.- Ethical aspects of biofuel production. Biofuels and Bioenergy provides students and researchers in biology, chemistry, biochemistry and chemical engineering with an accessible review of this increasingly important subject.$c-- Provided by publisher. 410 0$aBlackwell Companions to Art History 606 $aArt, Latin American$y20th century 606 $aArt, Latin American$y21st century 610 $aArt, Latin American 610 $aArt 615 0$aArt, Latin American 615 0$aArt, Latin American 676 $a709.8/0904 700 $aAnreus$b Alejandro$01677407 701 $aGreeley$b Robin Adèle$01677408 701 $aSullivan$b Megan A$01677409 701 $aArnold$b Dana$0862752 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818623903321 996 $aA Companion to Modern and Contemporary Latin American and Latina$94044253 997 $aUNINA