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035   $a(OCoLC)979593410
035   $a(DE-B1597)9783110882599
035   $a(Au-PeEL)EBL3044220
035   $a(CaPaEBR)ebr10782181
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035   $a(OCoLC)922947368
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100   $a19950412d1996      uy             0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt
182   $cc
183   $acr
200 00$aIcons, texts, iconotexts $eessays on ekphrasis and intermediality /$fedited by Peter Wagner
210  1$aBerlin ;$aNew York :$cW. de Gruyter,$d1996.
215   $a1 online resource (426 pages) $cillustrations (some color)
225 1 $aEuropean cultures ;$v6
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a3-11-014291-0 
311   $a1-306-27633-0 
320   $aIncludes bibliographical references (pages [347]-382) and index.
327   $tFrontmatter -- $tAcknowledgments -- $tContents -- $tIntroduction: Ekphrasis, Iconotexts, and Intermediality - the State(s) of the Art(s) / $rWAGNER, PETER -- $tEkphrasis and Theories of Reading Visual Representations -- $tIconolâtrie et iconoclastie de l'écriture libertine / $rDUBOST, JEAN-PIERRE -- $tEkphrasis as Art Criticism: Diderot and Fragonard's "Coresus and Callirhoe" / $rFORT, BERNADETTE -- $tEkphrasis and the Mimetic Crisis of Romanticism / $rBURWICK, FREDERICK -- $tEcritures de l'image chez Théophile Gautier / $rMONTANDON, ALAIN -- $tIcono texts: The Eighteenth Century -- $tWatteau: The Aesthetics of Pleasure / $rCUSSET, CATHERINE -- $tSterne and Fragonard: "The Escapades of Death" / $rOGÉE, FRÉDÉRIC -- $tThe Harlot, Her Father, and the Parson: Representing and Interpreting Hogarth in the Eighteenth Century / $rPAULSON, RONALD -- $tLa mise en scène de la table de travail: poétologie et épistémologie immanentes chez Guillaume-Thomas Raynal et Alexander von Humboldt / $rETTE, OTTMAR -- $tIcono texts: The Nineteenth Century -- $tThe Strategic Withdrawal from Ekphrasis in Jane Austen's Novels / $rSABOR, PETER -- $tAppropriating Botticelli: English Approaches 1860-1890 / $rLOTTES, WOLFGANG -- $tEntering the Museum of Words: Browning's "My Last Duchess" and Twentieth-Century Ekphrasis / $rHEFFERNAN, JAMES A. W. -- $tOscar Wilde's "Impression du matin" - an Intermedial Reading / $rWAGNER, PETER -- $tIconotexts: Caricature -- $tText as Design in Gillray's Caricature / $rBINDMAN, DAVID -- $tThe Battle of the Signs: Robert Crumb's Visual Reading of James Boswell's "London Journal" / $rPAPE, WALTER -- $tBibliography -- $tList of Illustrations -- $tNotes on Contributors -- $tIndex -- $tColour Plates -- $t Backmatter
410  0$aEuropean cultures ;$vv. 6.
606   $aEkphrasis
606   $aEuropean literature$xHistory and criticism
606   $aArt and literature
606   $aDescription (Rhetoric)
606   $aWords in art
615  0$aEkphrasis.
615  0$aEuropean literature$xHistory and criticism.
615  0$aArt and literature.
615  0$aDescription (Rhetoric)
615  0$aWords in art.
676   $a809/.922
686   $aEC 4150$2rvk
701   $aWagner$b Peter$f1949-$01691391
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910818613703321
996   $aIcons, texts, iconotexts$94067710
997   $aUNINA