LEADER 04437nam 2200793 450 001 9910818577403321 005 20231206203859.0 010 $a1-282-00948-6 010 $a9786612009488 010 $a1-4426-7060-6 024 7 $a10.3138/9781442670600 035 $a(CKB)2420000000003802 035 $a(OCoLC)244767455 035 $a(CaPaEBR)ebrary10218894 035 $a(SSID)ssj0000287909 035 $a(PQKBManifestationID)11207950 035 $a(PQKBTitleCode)TC0000287909 035 $a(PQKBWorkID)10373139 035 $a(PQKB)11299814 035 $a(CaPaEBR)420837 035 $a(CaBNvSL)slc00211099 035 $a(DE-B1597)464154 035 $a(OCoLC)944178538 035 $a(DE-B1597)9781442670600 035 $a(Au-PeEL)EBL4671165 035 $a(CaPaEBR)ebr11256890 035 $a(CaONFJC)MIL200948 035 $a(OCoLC)958564937 035 $a(OCoLC)1372413630 035 $a(MdBmJHUP)musev2_104392 035 $a(VaAlCD)20.500.12592/tr6kc6 035 $a(schport)gibson_crkn/2009-12-01/7/420837 035 $a(MiAaPQ)EBC4671165 035 $a(MiAaPQ)EBC3254989 035 $a(EXLCZ)992420000000003802 100 $a20160922h19961996 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aActs of narrative $etextual strategies in modern German fiction /$fPatrick O'Neill 210 1$aToronto, [Canada] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1996. 210 4$dİ1996 215 $a1 online resource (216 p.) 225 1 $aTheory / Culture 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8020-0982-4 320 $aIncludes bibliographical references and index. 327 $tDeath in Venice : narrative situations in Thomas Mann's Der Tod in Venedig --$tTrial : paradigms of indeterminacy in Franz Kafka's Der Prozess --$tHarry Haller's records : the ludic imagination in Hermann Hesse's Steppenwolf --$tAuto da fe : reading misreading in Elias Canetti's Die Blendung --$tTin Drum : implications of unrealibility in Gu?nter Grass's Die Blechtrommel --$tTwo views : the authority of discourse in Uwe Johnson's Zwei Ansichten --$rGoalie's anxiety : signs and semiosis in Peter Handke's Die Angst des Tormanns beim Elfmeter --$tLime works : narrative and noise in Thomas Bernhard's Das Kalkwerk. 330 8 $aO'Neill's approach rests on three assumptions: first, that all stories are stories told in particular ways; second, that these particular ways of telling stories are interesting objects of study in and for themselves; and third, that modern German fiction includes a number of narratives that allow us to indulge that interest in ways that are themselves compelling. The relationship of story and discourse is central to Acts of Narrative; in particular, each of the texts under analysis continually foregrounds the active role of the reader, which O'Neill sees as an inescapable feature of modern and postmodern narrative as a semiotic structure. The volume might be described as an exercise in semiotic narratology, exploring a variety of aspects of the semiotics of narrative as a discursive system. 330 $aBecause German literary criticism tends to be strongly historicist in character, modern and postmodern German narrative has remained relatively unexplored by poststructuralist critics. In the eight individual analyses of twentieth-century German texts that make up this book, Patrick O'Neill deviates from the theoretical mainstream. O'Neill applies the principles of structuralist and poststructuralist narratology to a selection of narratives from both modernist and postmodernist German authors: Mann, Kafka, and Hesse, and Canetti, Johnson, Handke, and Bernhard. 410 0$aTheory/culture series. 606 $aGerman fiction$y20th century$xHistory and criticism 606 $aNarration (Rhetoric)$xHistory$y20th century 607 $aDeutsch$2swd 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aGerman fiction$xHistory and criticism. 615 0$aNarration (Rhetoric)$xHistory 676 $a833/.910923 700 $aO'Neill$b Patrick$f1945-$01642366 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818577403321 996 $aActs of narrative$93987011 997 $aUNINA