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010   $a9786613322050
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100   $a20140929d2011      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aNew philosophies of film $ethinking images /$fRobert Sinnerbrink
205   $a1st ed.
210  1$aLondon ;$aNew York :$cContinuum International Pub. Group,$d2011.
215   $a1 online resource (258 p.)
300   $aDescription based upon print version of record.
311   $a1-4411-2257-5 
311   $a1-4411-5343-8 
320   $aIncludes bibliographical references and index.
320   $aIncludes filmography.
327   $aIntroduction: why did philosophy go to the movies? -- The analytic-cognitivist turn. The empire strikes back: critiques of "grand theory" -- The rules of the game: new ontologies of film -- Adaptation: philosophical approaches to narrative -- From cognitivism to film-philosophy. A.I.: cognitivism goes to the movies -- Bande a part: Deleuze and Cavell as film-philosophers -- Scenes from a marriage: film as philosophy -- Cinematic thinking. Hollywood in trouble: David Lynch's Inland empire -- "Chaos reigns": anti-cognitivism in Lars von trier's Antichrist -- Song of the earth: cinematic romanticism in Malick's The new world -- Coda: "the six most beautiful minutes in the history of cinema".
330 8 $aThis is a critical exploration of analytic and Continental philosophies of film, which puts film-philosophy into practice with detailed discussions of three filmmakers. The book includes philosophical readings of three key contemporary filmmakers: Malick, Lynch and Von Trier. It also features links to online resources, guides to further reading and a filmography
606   $aMotion pictures$xPhilosophy
606   $2Philosophy: aesthetics
615  0$aMotion pictures$xPhilosophy.
676   $a791.4301
700   $aSinnerbrink$b Robert$0875853
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801  1$bUtOrBLW
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906   $aBOOK
912   $a9910818559003321
996   $aNew philosophies of film$93982731
997   $aUNINA