LEADER 03702nam 2200649 450 001 9910818532603321 005 20230807215058.0 010 $a1-61376-365-4 035 $a(CKB)3790000000033322 035 $a(EBL)4533235 035 $a(SSID)ssj0001583639 035 $a(PQKBManifestationID)16263318 035 $a(PQKBTitleCode)TC0001583639 035 $a(PQKBWorkID)14118437 035 $a(PQKB)11790216 035 $a(OCoLC)919384611 035 $a(MdBmJHUP)muse42437 035 $a(Au-PeEL)EBL4533235 035 $a(CaPaEBR)ebr11214701 035 $a(MiAaPQ)EBC4533235 035 $a(EXLCZ)993790000000033322 100 $a20160614h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aForms of association $emaking publics in early modern Europe /$fedited by Paul Yachnin and Marlene Eberhart 210 1$aAmherst, [Massachusetts] ;$aBoston, [Massachusetts] :$cUniversity of Massachusetts Press,$d2015. 210 4$dİ2015 215 $a1 online resource (348 p.) 225 1 $aMassachusetts Studies in Early Modern Culture 300 $aIncludes index. 311 $a1-62534-166-0 320 $aIncludes bibliographical references and index. 327 $aCover; Title Page; Copyright; Contents; Acknowledgments; Introduction; Part I: Writing Publics (Publics and Nation); 1. States, Nations, and Publics: The Politics of Language Reform in Renaissance England; 2. Translating the Law: Sir Edward Coke and the Formation of a Juristic Public; 3. Apocalyptics and Apologetics: Richard Helgerson on Elizabethan England's Religious Identity and the Formation of the Public Sphere; Part II: Forming Social Identities and Publics; 4. Perverse Delights: Cross Channel Trash Talk and Identity Publics; 5. Making Public the Private 327 $a6. Public and Private Intercourse in Dutch Genre Scenes: Soldiers and Enigmatic Women / Painters and Enigmatic Paintings7. Sonnets from Carthage, Ballads from Prison: Entertainment and Public Making in Early Modern Spain; Part III: Networks and Publics; 8. Forms of Nationhood and Forms of Publics: Geography and Its Publics in Early Modern England; 9. "The Land Speaks": John Shrimpton's Antiquities of Verulam and St. Albans and the Making of Verulamium; 10. Collectors, Consumers, and the Making of a Seventeenth-Century English Ballad Public: From Networks to Spheres 327 $a11. Forms of Internationality: The Album Amicorum and the Popularity of John Owen (1564-1622)Part IV: Theatrical Publicity; 12. The Voice of Caesar's Wounds: The Politics of Martyrdom in Shakespeare's Julius Caesar; 13. Shakespeare's Pains to Please; 14. The Political Fortunes of Robin Hood on the Early Modern Stage; Afterword: Richard Helgerson and Making Publics; About the Contributors; Index; Back Cover 410 0$aMassachusetts studies in early modern culture. 606 $aEuropean literature$yRenaissance, 1450-1600$xHistory and criticism 606 $aEuropean literature$y17th century$xHistory and criticism 606 $aLiterature and society$zEurope$xHistory 607 $aEurope$xIntellectual life$y16th century 607 $aEurope$xIntellectual life$y17th century 615 0$aEuropean literature$xHistory and criticism. 615 0$aEuropean literature$xHistory and criticism. 615 0$aLiterature and society$xHistory. 676 $a809/.93355 702 $aYachnin$b Paul Edward$f1953- 702 $aEberhart$b Marlene$f1964- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818532603321 996 $aForms of association$93968759 997 $aUNINA