LEADER 04275nam 22005893u 450 001 9910818488003321 005 20240402105943.0 010 $a1-280-32625-5 010 $a1-134-67392-2 010 $a0-203-18221-9 010 $a1-134-67393-0 010 $a0-203-19081-5 035 $a(CKB)111056485535766 035 $a(EBL)166118 035 $a(OCoLC)60496855 035 $a(MiAaPQ)EBC166118 035 $a(EXLCZ)99111056485535766 100 $a20130418d2002|||| u|| | 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA sourcebook on African-American performance$b[electronic resource] $eplays, people, movements 205 $a1st ed. 210 $aHoboken $cTaylor and Francis$d2002 215 $a1 online resource (375 p.) 225 1 $aWorlds of Performance 300 $aDescription based upon print version of record. 311 $a0-415-18234-4 327 $aBook Cover; Title; Contents; List of illustrations; Acknowledgments; Preface; Introduction Performing Beyond Pre-formations and Between Movements: Thirty Years of African-American Performance Annemarie Bean; Black Theatre 1998: A Thirty-Year Look at Black Arts Theatre (1998) Ed Bullins; Clara's Ole Man (1968) Ed Bullins; Home on the Range and Police (1968) Amiri Baraka (LeRoi Jones); The Bronx is Next (1968) Sonia Sanchez; The Black Arts Movement (1968) Larry Neal; Ritual Reformulations: Barbara Ann Teer and the National Black Theatre of Harlem (1998) Barbara Lewis 327 $aTo Make Black Bodies Strange: Social Critique in Concert Dance of the Black Arts Movement (1998) Thomas DeFrantz A Road Through the Wilderness (1998) John O'Neal; Dialog: The Free Southern Theater (1965) Gilbert Moses, John O'Neal, Denise Nicholas, Murray Levy and Richard Schechner; Motion in the Ocean: Some Political Dimensions of the Free Southern Theater (1968) John O'Neal; After the Free Southern Theater: A Dialog (1987) Tom Dent and Jerry W.Ward, Jr.; John O'Neal, Actor and Activist: The Praxis of Storytelling (1992) Kate Hammer; Rode a Railroad That Had No Track (1998) Glenda Dicker/sun 327 $aTheatre in Historically Black Colleges: A Survey of 100 Years (1998) James V. Hatch Stepping, Saluting, Cracking, and Freaking: The Cultural Politics of African-American Step Shows (1991) Elizabeth C. Fine; The Gospel Musical and Its Place in the Black American Theatre (1998) Warren B. Burdine, Jr.; Catalysis: An Interview with Adrian Piper (1972) Lucy Lippard; Four Bad Sisters (1998) Eugene Nesmith; A Growth of Images (1977) Adrienne Kennedy; Obsessing in Public: An Interview with Robbie McCauley(1993) Vicki Patraka; Sally's Rape (1994) Robbie McCauley 327 $aAnna Deavere Smith: Acting as Incorporation (1993) Richard Schechner The Word Becomes You: An Interview with Anna Deavere Smith (1993) Carol Martin; Doo-a-diddly-dit-dit: An Interview with Suzan-Lori Parks and Liz Diamond (1995) Steven Drukman; The America Play (1994) Suzan-Lori Parks; Index 330 $aA Sourcebook on African-American Performance is the first volume to consider African-American performance between and beyond the Black Arts Movement of the 1960's and the New Black Renaissance of the 1990's. As with all titles in the Worlds of Performance series, the Sourcebook consists of classic texts as well as newly commissioned pieces by notable scholars, writers and performers. It includes the plays 'Sally's Rape' by Robbie McCauley and 'The American Play' by Suzan-Lori Parks, and comes complete with a substantial, historical introduction by Annemarie Bean. 410 0$aWorlds of Performance 606 $aAfrican American theater - History - 20th century 606 $aAfrican American artists 606 $aPerforming arts 615 4$aAfrican American theater - History - 20th century . 615 4$aAfrican American artists. 615 4$aPerforming arts. 676 $a792.08996073 676 $a792/.089/96073 700 $aBean$b Annemarie$01722039 801 0$bAU-PeEL 801 1$bAU-PeEL 801 2$bAU-PeEL 906 $aBOOK 912 $a9910818488003321 996 $aA sourcebook on African-American performance$94122083 997 $aUNINA