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200 10$aContemplating art $eessays in aesthetics /$fJerrold Levinson
210   $aOxford $cClarendon Press ;$aOxford ;$aNew York $cOxford University Press$d2006
215   $a1 online resource (viii, 423 pages)
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320   $aIncludes bibliographical references and index.
327   $aThe irreducible historicality of the concept of art -- Artworks as artifacts -- Emotion in response to art -- Elster on artistic creativity -- Sound, gesture, space, and the expression of emotion in music -- Musical expressiveness as hearability-as-expression -- Nonexistent artforms and the case of visual music -- Music as narrative and music as drama -- Film music and narrative agency -- Evaluating music -- Musical thinking -- Musical chills -- Wollheim on pictorial representation -- What is erotic art? -- Erotic art and pornographic pictures -- Two notions of interpretation -- Who's afraid of a paraphrase? -- Hypothetical intentionalism : statement, objections, and replies -- Aesthetic properties, evaluative force, anddifferences of sensibility -- What are aesthetic properties? -- Schopenhauer's aesthetics -- Hume's Standard of taste : the real problem -- The concept of humor -- Intrinsic value and the notion of a life.
330 8 $a'Contemplating Art' is a compendium of writings by one of the leading figures in aesthetics, Jerrold Levinson. The 24 essays range over issues in general aesthetics and those relating to specific arts - in particular music, film, and literature.
606   $aAesthetics
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