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035   $a(OCoLC)1258910510
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100   $a20230724d2020      uy             0
101 0 $aeng
135   $aurcnu||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe life of the author /$fSarah Kozloff
205   $a1st ed.
210  1$aMontre?al :$cCaboose,$d[2020]
210  4$dİ2020
215   $a1 online resource (70 pages)
225 1 $aKino-agora ;$vVolume 5
311   $a1-927852-01-3 
327   $aCover -- Title Page -- Copyright -- Prelude -- Filmmakers as Flotsam -- How Film Scholars Handle Authorship -- A Case Study: The Red Kimona -- Mordaunt Hall in the New York Times objected to its melodrama -- A Robust Theory of Authorship: Human Communion -- Applying a Humanist, Intentionalist Theory of Authorship to Film -- From Mirrors to Lamps to Jazz? -- Notes.
410  0$aKino-agora ;$vVolume 5.
606   $aAuteur theory (Motion pictures)
606   $aMotion picture authorship
615  0$aAuteur theory (Motion pictures)
615  0$aMotion picture authorship.
676   $a791.43023301
700   $aKozloff$b Sarah$0625446
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910818408603321
996   $aThe life of the author$94081318
997   $aUNINA