LEADER 03373nam 2200649Ia 450 001 9910818382203321 005 20240505221147.0 010 $a0-8047-7287-8 024 7 $a10.1515/9780804772877 035 $a(CKB)2550000000007062 035 $a(EBL)483443 035 $a(OCoLC)589169126 035 $a(SSID)ssj0000334512 035 $a(PQKBManifestationID)11285667 035 $a(PQKBTitleCode)TC0000334512 035 $a(PQKBWorkID)10259750 035 $a(PQKB)10396501 035 $a(StDuBDS)EDZ0000127884 035 $a(DE-B1597)564080 035 $a(DE-B1597)9780804772877 035 $a(Au-PeEL)EBL483443 035 $a(CaPaEBR)ebr10364966 035 $a(OCoLC)1178769840 035 $a(MiAaPQ)EBC483443 035 $a(EXLCZ)992550000000007062 100 $a20081208d2010 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAlchemical mercury $ea theory of ambivalence /$fKaren Pinkus 205 $a1st ed. 210 $aStanford, California $cStanford University Press$dc2010 215 $a1 online resource (230 p.) 300 $aDescription based upon print version of record. 311 $a0-8047-6032-2 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tFigures -- $tAcknowledgments -- $tIntroduction: Lead into Gold -- $t§ 1 Visibilia -- $tExcursus: Ambivalence -- $t§ 2 Chemical Nuptials -- $tExcursus: Mercury -- $t§ 3 A Chemical Couple -- $t§ 4 Rumpelstiltskin -- $t§ 5 ?The Sandman? -- $tExcursus: Counterfeiting -- $t§ 6 Reading Capital I Alchemically -- $t§ 7 Digital Gold -- $tNotes -- $tBibliography -- $tIndex 330 $aHow can we account, in a rigorous way, for alchemy's ubiquity? We think of alchemy as the transformation of a base material (usually lead) into gold, but "alchemy" is a word in wide circulation in everyday life, often called upon to fulfill a metaphoric duty as the magical transformation of materials. Almost every culture and time has had some form of alchemy. This book looks at alchemy, not at any one particular instance along the historical timeline, not as a practice or theory, not as a mode of redemption, but as a theoretical problem, linked to real gold and real production in the world. What emerges as the least common denominator or "intensive property" of alchemy is ambivalence, the impossible and paradoxical coexistence of two incompatible elements. Alchemical Mercury moves from antiquity, through the golden age of alchemy in the Dutch seventeenth century, to conceptual art, to alternative fuels, stopping to think with writers such as Dante, Goethe, Hoffmann, the Grimm Brothers, George Eliot, and Marx. Eclectic and wide-ranging, this is the first study to consider alchemy in relation to literary and visual theory in a comprehensive way. 606 $aAlchemy in literature 606 $aAlchemy in art 606 $aAmbivalence 606 $aRhetoric 615 0$aAlchemy in literature. 615 0$aAlchemy in art. 615 0$aAmbivalence. 615 0$aRhetoric. 676 $a700/.47 700 $aPinkus$b Karen$01616278 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818382203321 996 $aAlchemical mercury$93946900 997 $aUNINA