LEADER 02235nam 2200409 450 001 9910818307603321 005 20210210004450.0 010 $a1-61713-680-8 010 $a1-61713-679-4 035 $a(CKB)5120000000106813 035 $a(MiAaPQ)EBC5674478 035 $a(MiAaPQ)EBC6171705 035 $a(EXLCZ)995120000000106813 100 $a20190227d2016 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBack to black $eAmy Winehouse's only masterpiece /$fDonald Brackett 210 1$aMilwaukee, Wisconsin :$cBackbeat Books,$d2016. 215 $a1 online resource (xxvii, 239 pages, 12 unnumbered pages of plates) $cillustrations 311 $a1-61713-629-8 320 $aIncludes bibliographical references (pages 224-230) and index. 327 $aWhen I paint my masterpiece: Amy the storyteller -- Arrival of a demonic diva: the club you don't want to join -- The anxiety of influence: borrowing a sound and creating a brand -- The aura and its echo: recreating the wall of sound -- Recording a masterpiece: Mark Ronson, the producer as artist -- Amy the performance artist: Back to Black onstage -- Baby, you can film my song: Back to Black on video -- Ten years after: back to Winehouse -- the album as storytelling -- The legacy of lady night: too soon to be a legend? 330 $a"In this study of Amy Winehouse's second, and last, album, 'Back to Black', Donald Brackett opens the door not only to the full experience of this great record but also explores the seductive sonic hook that pop artists always strive for. He also unearths what makes the record unique, influential, and unforgettable, and reveals the creative steps in its inception and production, the technical virtuosity that makes it special, and why it dese 606 $aPopular music$zEngland$y2001-2010$xHistory and criticism 615 0$aPopular music$xHistory and criticism. 676 $a781.66092 700 $aBrackett$b Donald$f1951-$01707859 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818307603321 996 $aBack to black$94096386 997 $aUNINA LEADER 02588nam 2200601Ia 450 001 9910809878803321 005 20240417032700.0 010 $a1-4384-3953-9 035 $a(CKB)2670000000150019 035 $a(OCoLC)775360930 035 $a(CaPaEBR)ebrary10574062 035 $a(SSID)ssj0000606297 035 $a(PQKBManifestationID)11372081 035 $a(PQKBTitleCode)TC0000606297 035 $a(PQKBWorkID)10580588 035 $a(PQKB)10099219 035 $a(MiAaPQ)EBC3407201 035 $a(MdBmJHUP)muse14211 035 $a(Au-PeEL)EBL3407201 035 $a(CaPaEBR)ebr10574062 035 $a(OCoLC)923402819 035 $a(EXLCZ)992670000000150019 100 $a20110217d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aDark mirrors$b[electronic resource] $eAzazel and Satanael in early Jewish demonology /$fAndrei A. Orlov 210 $aAlbany $cState University of New York Press$dc2011 215 $a1 online resource (220 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4384-3951-2 320 $aIncludes bibliographical references (p. 179-196) and index. 327 $aLightless shadows : symmetry of good and evil in early Jewish demonology -- "The likeness of heaven" : kavod of Azazel in the Apocalypse of Abraham -- Eschatological Yom Kippur in the Apocalypse of Abraham : the scapegoat ritual -- The garment of Azazel in the Apocalypse of Abraham -- The watchers of Satanael : the fallen angels traditions in 2 (Slavonic) enoch -- Satan and the visionary : apocalyptic roles of the adversary in the temptation narrative of the Gospel of Matthew -- The flooded arboretums : the garden traditions in the Slavonic version of 3 Baruch and the Book of Giants. 330 $aDiscusses the two most important figures in early Jewish mythologies of evil, the fallen angels Azazel and Satanael. 606 $aJewish demonology 606 $aAzazel (Jewish mythology) 606 $aDevil 606 $aApocryphal books (Old Testament)$xTranslations into Slavic$xHistory and criticism 615 0$aJewish demonology. 615 0$aAzazel (Jewish mythology) 615 0$aDevil. 615 0$aApocryphal books (Old Testament)$xTranslations into Slavic$xHistory and criticism. 676 $a296.3/16 700 $aOrlov$b Andrei A.$f1960-$01620242 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910809878803321 996 $aDark mirrors$94008622 997 $aUNINA