LEADER 04264nam 2200577 a 450 001 9910818274103321 005 20200520144314.0 010 $a0-292-79529-7 024 7 $a10.7560/713376 035 $a(CKB)1000000000472943 035 $a(EBL)3443021 035 $a(SSID)ssj0000100001 035 $a(PQKBManifestationID)11116973 035 $a(PQKBTitleCode)TC0000100001 035 $a(PQKBWorkID)10016792 035 $a(PQKB)10987776 035 $a(MiAaPQ)EBC3443021 035 $a(OCoLC)191953158 035 $a(MdBmJHUP)muse2202 035 $a(Au-PeEL)EBL3443021 035 $a(CaPaEBR)ebr10185712 035 $a(DE-B1597)587379 035 $a(DE-B1597)9780292795297 035 $a(EXLCZ)991000000000472943 100 $a20060117d2006 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aAfter Hitchcock $einfluence, imitation, and intertextuality /$fedited by David Boyd and R. Barton Palmer 205 $a1st ed. 210 $aAustin, Tex. $cUniversity of Texas Press$d2006 215 $a1 online resource (291 p.) 300 $aDescription based upon print version of record. 311 $a0-292-71337-1 320 $aIncludes bibliographical references and index. 327 $aForever Hitchcock : Psycho and its remakes / Constantine Verevis -- Hitchcockian silence : Psycho and Jonathan Demme's The silence of the lambs / Lesley Brill -- Shadows of Shadow of a doubt / Adam Knee -- Psycho or psychic? Hitchcock, Dead again, and the paranormal / Ina Rae Hark -- The Hitchcock romance and the '70s paranoid thriller / R. Barton Palmer -- Exposing the lies of Hitchcock's truth / Walter Metz -- Red blood on white bread : Hitchcock, Chabrol, and French cinema / Richard Neupert -- "You're tellin' me you didn't see" : Hitchcock's Rear window and Antonioni's Blow-up / Frank P. Tomasulo -- Melo-thriller : Hitchcock, genre, and nationalism in Pedro Almodovar's Women on the verge of a nervous breakdown / Ernesto R. Acevedo-Munoz -- "Knowing too much" about Hitchcock : the genesis of the Italian Giallo / Philippe Met -- Death at work : Hitchcock's violence and spectator identification / Robert Sklar -- Hitchcock and the classical paradigm / John Belton -- How to steal from Hitchcock / Thomas M. Leitch. 330 $aAlfred Hitchcock is arguably the most famous director to have ever made a film. Almost single-handedly he turned the suspense thriller into one of the most popular film genres of all time, while his Psycho updated the horror film and inspired two generations of directors to imitate and adapt this most Hitchcockian of movies. Yet while much scholarly and popular attention has focused on the director's oeuvre, until now there has been no extensive study of how Alfred Hitchcock's films and methods have affected and transformed the history of the film medium. In this book, thirteen original essays by leading film scholars reveal the richness and variety of Alfred Hitchcock's legacy as they trace his shaping influence on particular films, filmmakers, genres, and even on film criticism. Some essays concentrate on films that imitate Hitchcock in diverse ways, including the movies of Brian de Palma and thrillers such as True Lies, The Silence of the Lambs, and Dead Again. Other essays look at genres that have been influenced by Hitchcock's work, including the 1970s paranoid thriller, the Italian giallo film, and the post-Psycho horror film. The remaining essays investigate developments within film culture and academic film study, including the enthusiasm of French New Wave filmmakers for Hitchcock's work, his influence on the filmic representation of violence in the post-studio Hollywood era, and the ways in which his films have become central texts for film theorists. 606 $aThrillers (Television programs)$xHistory and criticism 615 0$aThrillers (Television programs)$xHistory and criticism. 676 $a791.43/0233092 701 $aBoyd$b David$f1944-$01593095 701 $aPalmer$b R. Barton$f1946-$01142507 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818274103321 996 $aAfter Hitchcock$93913043 997 $aUNINA