LEADER 04068nam 2200637 450 001 9910818262703321 005 20200520144314.0 010 $a0-8131-0835-7 010 $a0-8131-5827-3 010 $a0-8131-7008-7 035 $a(CKB)111004368603292 035 $a(EBL)1915296 035 $a(SSID)ssj0000249303 035 $a(PQKBManifestationID)11923302 035 $a(PQKBTitleCode)TC0000249303 035 $a(PQKBWorkID)10205960 035 $a(PQKB)10689630 035 $a(OCoLC)47010158 035 $a(MdBmJHUP)muse44174 035 $a(Au-PeEL)EBL1915296 035 $a(CaPaEBR)ebr11009811 035 $a(CaONFJC)MIL691122 035 $a(OCoLC)900344487 035 $a(MiAaPQ)EBC1915296 035 $a(EXLCZ)99111004368603292 100 $a20150206h19941994 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aSpanish poetry of the twentieth century $emodernity and beyond /$fAndrew P. Debicki 210 1$aLexington, Kentucky :$cThe University Press of Kentucky,$d1994. 210 4$dİ1994 215 $a1 online resource (270 p.) 225 1 $aStudies in Romance Languages ;$v37 300 $aDescription based upon print version of record. 311 $a1-322-59840-1 311 $a0-8131-1869-7 320 $aIncludes bibliographical references and index. 327 $aCover; Title; Copyright; Contents; Introduction; 1. The Apogee of Modernity in Spain, 1915-1928; One View of Modernity; High Modernity in Spain, 1915-1924; The Poetics of the Generation of 1927; The Poem as Icon; 2. Currents in Spanish Modernity, 1915-1939; A Strand of Indeterminacy, 1915-1928; A Loss of Purity: Spanish Modernity, 1929-1936; A New Determinism: Committed Poetry; 3. After the War, 1940-1965; From Message to Form: Garcilaso, Formalism, Cantico, 1940-1949; A New Realistic Poetics, 1944-1960 327 $aTestimonial Poetry, 1944-1960: The Communication of Personal, Religious, and Existential EmotionsNotes of Indeterminacy: Postismo, Surrealism; Social and Political Poetry, 1950-1965; Poets in Exile; 4. New Directions for Spanish Poetry, 1956-1970; A New Era, a New Poetics; Experience and Discovery by the New Castilian Poets; Andalusian Poets, 1956-1970; The School of Barcelona; Older Poets, New Consciousness, New Forms; 5. The Postmodern Time of the Novisimos, 1966-1980; A Poetics of Language; Art as Elevation and Refuge: Gimferrer, Carnero, Azua, Cuenca 327 $aPopular Culture, the Irrational, SurrealismReturn to the Personal: Alvarez, Villena, Colinas; Contained Form, Silence, Self-Referentiality; Established Poets, New Directions; 6. The Evolution of Postmodern Poetry, 1978-1990; A Very Immediate Past; From Silence to Essence; New Directions, Established Poets: Expressions of Feeling and Experience; Expressive Poetry: New Voices I; Expressive Poetry: New Voices II; From Expression to Satire, Irony, and Subversion; Conclusion; Notes; Works Cited; Index 330 $aTwentieth-century Spanish poetry has received comparatively little attention from critics writing in English. Andrew Debicki now presents the first English-language history published in the United States to examine the sweep of modern Spanish verse. More important, he is the first to situate Spanish poetry in the context of European modernity, to trace its trajectory from the symbolists to the postmodernists.Avoiding the rigid generational schemes and catalogs of names found in traditional Hispanic literary histories, Debicki offers detailed discussions of salient books and texts to construct 410 0$aStudies in Romance languages (Lexington, Ky.) ;$v37. 606 $aSpanish poetry$y20th century$xHistory and criticism 615 0$aSpanish poetry$xHistory and criticism. 676 $a861/.609 700 $aDebicki$b Andrew$0445887 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818262703321 996 $aSpanish poetry of the twentieth century$94075721 997 $aUNINA