LEADER 03233nam 22006372 450 001 9910818214003321 005 20151005020621.0 010 $a1-107-15002-7 010 $a1-280-54031-1 010 $a0-511-21483-9 010 $a0-511-21662-9 010 $a0-511-21125-2 010 $a0-511-31540-6 010 $a0-511-48361-9 010 $a0-511-21302-6 035 $a(CKB)1000000000353030 035 $a(EBL)266618 035 $a(OCoLC)560239614 035 $a(SSID)ssj0000244959 035 $a(PQKBManifestationID)11203064 035 $a(PQKBTitleCode)TC0000244959 035 $a(PQKBWorkID)10176295 035 $a(PQKB)10970975 035 $a(UkCbUP)CR9780511483615 035 $a(MiAaPQ)EBC266618 035 $a(Au-PeEL)EBL266618 035 $a(CaPaEBR)ebr10131718 035 $a(CaONFJC)MIL54031 035 $a(EXLCZ)991000000000353030 100 $a20090224d2004|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aShakespeare $efrom stage to screen /$fSarah Hatchuel$b[electronic resource] 210 1$aCambridge :$cCambridge University Press,$d2004. 215 $a1 online resource (ix, 190 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 $a0-521-07898-9 311 $a0-521-83624-7 320 $aIncludes bibliographical references (p. 177-185) and index. 327 $tShakespeare, from stage to screen: a historical and aesthetic approach --$tFrom theatre showing to cinema telling --$tMasking film construction: towards a 'real' world --$tReflexive constructions: from meta-theatre to meta-cinema? --$tScreenplay, narration and subtext: the example of Hamlet. 330 $aHow is a Shakespearean play transformed when it is directed for the screen? In this 2004 book, Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to appropriate the plays. Instead of providing just play-by-play or film-by-film analyses, the book addresses the main issues of theatre/film aesthetics, making such theories and concepts accessible before applying them to practical cases. Her book also offers guidelines for the study of sequences in Shakespearean adaptations and includes examples from all the major films from the 1899 King John, through the adaptations by Olivier, Welles and Branagh, to Taymor's 2000 Titus and beyond. This book is aimed at scholars, teachers and students of Shakespeare and film studies, providing a clear and logical apparatus with which to examine Shakespearean screen adaptations. 606 $aEnglish drama$vFilm adaptations 606 $aFilm adaptations$xHistory and criticism 615 0$aEnglish drama 615 0$aFilm adaptations$xHistory and criticism. 676 $a822.3/3 700 $aHatchuel$b Sarah$0600155 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910818214003321 996 $aShakespeare$93998961 997 $aUNINA