LEADER 04066nam 2200709 a 450 001 9910818165603321 005 20240516115123.0 010 $a1-280-66641-2 010 $a9786613643346 010 $a0-7391-5058-8 035 $a(CKB)2550000000084028 035 $a(EBL)850683 035 $a(OCoLC)775302609 035 $a(SSID)ssj0000611286 035 $a(PQKBManifestationID)12248593 035 $a(PQKBTitleCode)TC0000611286 035 $a(PQKBWorkID)10666784 035 $a(PQKB)11359648 035 $a(MiAaPQ)EBC850683 035 $a(Au-PeEL)EBL850683 035 $a(CaPaEBR)ebr10538171 035 $a(CaONFJC)MIL364334 035 $a(EXLCZ)992550000000084028 100 $a20110906d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAfro-Colombian hip-hop$b[electronic resource] $eglobalization, transcultural music, and ethnic identities /$fChristopher Dennis 205 $a1st ed. 210 $aLanham, Md. $cLexington Books$dc2012 215 $a1 online resource (191 p.) 300 $aDescription based upon print version of record. 311 $a0-7391-5056-1 320 $aIncludes bibliographical references and index. 327 $aContents; Acknowledgments; Chapter One: Introduction; Afro-Colombian Historical Context; Demographics and Socio-Economic Indicators; Globalization and Neoliberal Reform; Why Afro-Colombian Hip-Hop and Rap?; Notes; Chapter Two: Hip-Hop Afrocolombiano; Afro-Colombian Hip-Hop Groups; Production and Distribution; Notes; Chapter Three: Afro-Colombian Hip-Hop; "Hip-Hop Real"; The Armed Conflict; The Illicit Drug Trade; Displacement; The Urban Experience; Violence; Conclusions: The Periphery of the Periphery; Notes; Chapter Four: The Afro-Colombian Hip-Hop Narrative and Emerging Identity Constructs 327 $aMass-Mediated Transnational Cultural ContactRacial Discrimination; Afro-Colombian Solidarity Movements and Cultural Organizations; Africa and the Diaspora; Conclusions: "Pasado, Presente, Futuro"; Notes; Chapter Five: The "Afro-Colombianization" of Hip-Hop; Afro-Colombian Hip-Hop: From Adoption to Adaptation; "Hip-Hop Real" and Ethnic-Racial Tension; Mainstream Audiences and Growing Commercial Success; Conclusions: An Afro-Colombian Reading; Notes; Chapter Six: An (Afro)Colombian Hip-Hop Nation; Mestizaje and Music Nationalism; Multiculturalism and Music Diversification 327 $aEthnic Pride as an Expression of Colombian NationhoodConclusions: Colombia's Hip-Hop Nation; Notes; Chapter Seven: Conclusions; The Next Chapter; Notes; Selected Discography; Bibliography; Index 330 $aAfro-Colombian Hip-Hop: Globalization, Transnational Music, and Ethnic Identities, by Christopher Dennis, reveals how, through a mode of transculturation, Afro-Colombian youth are transforming U.S. hip-hop into a more autonomous art form used for articulating oppositional social and political critiques, reworking ethnic identities, and actively taking part in the reimagining of the nation. This book represents a valuable addition to the body of academic work emerging from scholars bringing Afro-Colo 606 $aRap (Music)$xSocial aspects$zColombia 606 $aRap (Music)$zColombia$xHistory and criticism 606 $aBlack people$zColombia$xMusic$xHistory and criticism 606 $aBlack people$zColombia$xSocial conditions 606 $aHip-hop$zColombia 606 $aMusic and globalization$zColombia 615 0$aRap (Music)$xSocial aspects 615 0$aRap (Music)$xHistory and criticism. 615 0$aBlack people$xMusic$xHistory and criticism. 615 0$aBlack people$xSocial conditions. 615 0$aHip-hop 615 0$aMusic and globalization 676 $a782.42164909861 686 $a9,2$2ssgn 700 $aDennis$b Christopher$f1974-$01622368 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818165603321 996 $aAfro-Colombian hip-hop$93956192 997 $aUNINA