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100   $a20120712d2013      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aMetatheater and modernity $ebaroque and neobaroque /$fMary Ann Frese Witt
205   $a1st ed.
210   $aMadison [N.J.] $cFairleigh Dickinson University Press$dc2013
215   $a1 online resource (203 p.)
300   $aDescription based upon print version of record.
311   $a1-61147-538-4 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgments; Introduction; 1 From Saint Genesius to Saint Genet; 2 La Come?die des come?diens and the Defense of Theatrical Illusion; 3 La commedia da fare; 4 Hamlet and Meta-Hamlets; 5 Metatheater as Manifesto; Epilogue; Bibliography; Index; About the Author
330   $aMetatheater and Modernity is the first book to link the concept of metatheater with those of baroque and neobaroque. It refines and probes these concepts through close analyses and comparisons of seventeenth with twentieth-century plays. Authors discussed include Rotrou, Sartre, Genet, Corneille, Kushner, Bernini, Shakespeare, Pirandello, Stoppard, Molie?re, Giraudoux, Ionesco. 
606   $aPlay within a play
606   $aDrama$y17th century$xHistory and criticism
606   $aDrama$y20th century$xHistory and criticism
615  0$aPlay within a play.
615  0$aDrama$xHistory and criticism.
615  0$aDrama$xHistory and criticism.
676   $a809.2
700   $aWitt$b Mary Ann Frese$01707285
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910818106803321
996   $aMetatheater and modernity$94095372
997   $aUNINA