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200 1 $aExtreme value theory$ean introduction$fLaurens de Haan, Ana Ferreira
210   $aNew York$cSpringer$d2006
215   $aXVI, 417 p.$cill.$d24 cm
225 1 $aSpringer series in operations research and financial engineering
610 0 $aDistribuzione (Probabilità)
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200 10$aBecoming Belafonte $eblack artist, public radical /$fby Judith E. Smith
205   $aFirst edition.
210  1$aAustin, Texas :$cUniversity of Texas Press,$d2014.
210  4$d©2014
215   $a1 online resource (369 p.)
225 1 $aDiscovering America
300   $aIncludes index.
311   $a0-292-72914-6 
327   $a""Acknowledgments""; ""Introduction""; ""1. From Harlem, Jamaica, and the Segregated Navy to New York City's Interracial Left-Wing Culture, 1927-1948""; ""2. Black Left, White Stage, Cold War: Moving into the Spotlight, 1949-1954""; ""3. Multimedia Stardom and the Struggle for Racial Equality, 1955-1960""; ""4. Storming the Gates: Producing Film and Television, 1957-1970""; ""Afterword""; ""Abbreviations for Notes""; ""Notes""; ""Index""
330   $aA son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II -- from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael -- Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power. --Publisher's description.
410  0$aDiscovering America series.
606   $aAfrican American civil rights workers$vBiography
606   $aMusicians, Black$zUnited States$vBiography
606   $aActors, Black$zUnited States$vBiography
615  0$aAfrican American civil rights workers
615  0$aMusicians, Black
615  0$aActors, Black
676   $a782.42164092
700   $aSmith$b Judith E.$f1948-$01612140
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