LEADER 03152nam 2200589Ia 450 001 9910818001503321 005 20240410132816.0 010 $a1-280-47701-6 010 $a9786610477012 010 $a1-84150-921-3 035 $a(CKB)1000000000032512 035 $a(EBL)282991 035 $a(OCoLC)59108442 035 $a(SSID)ssj0000115095 035 $a(PQKBManifestationID)11131290 035 $a(PQKBTitleCode)TC0000115095 035 $a(PQKBWorkID)10007526 035 $a(PQKB)11535108 035 $a(Au-PeEL)EBL282991 035 $a(CaPaEBR)ebr10078146 035 $a(CaONFJC)MIL47701 035 $a(MiAaPQ)EBC282991 035 $a(EXLCZ)991000000000032512 100 $a20050502d2005 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBritish film and television culture of the 1950s $ecoming to a TV near you! /$fSusan Holmes 205 $a1st ed. 210 $aBristol ;$aOregon $cIntellect Books$dc2005 215 $a1 online resource (273 p.) 300 $aDescription based upon print version of record. 311 $a1-84150-121-2 320 $aIncludes bibliographic references. 327 $aPublication Details; Contents Page; Illustrations; Acknowledgements; Introduction; Chapter One Broadcasting It: Approaching the Historical Relations between Cinema and Television; Chapter Two The Cinema Programme Begins: Developing Film ' Specially For Television Purposes and Technique'; Chapter Three Current Release: Text and Audience; Chapter Four The Cinema Programme in the Age of Competition: Picture Parafe; Chapter Five 'As They Really Are, and in Close Up': Film Stars on 1950's Television 327 $aChapter Six Glamour, Show business and Movies-in-the-Making: The Film Premiere and 'Behind-the-Scenes'Chapter Seven Looking at the Wider Picture on the Small Screen: Reconsidering Television, Widescreen and the 'X' Certificate in the 1950's; Chapter Eight 'Picture Parade in Long Trousers': Maturity and Change in the Cinema Programe; Bibliography of Sources 330 $aThis book focuses on the emerging historical relations between British television and film culture in the 1950's. Drawing upon archival research, it does this by exploring the development of the early cinema programme on television - principally Current Release (BBC, 1952-3), Picture Parade (BBC, 1956) and Film Fanfare (ABC, 1956-7) - and argues that it was these texts which played the central role in the developing relations between the media. Particularly when it comes to Britain, the early co-existence of television and cinema has been seen as hostile and antagonistic, but in situating these 606 $aMotion pictures$zGreat Britain 606 $aTelevision broadcasting$zGreat Britain 615 0$aMotion pictures 615 0$aTelevision broadcasting 676 $a791.430941 700 $aHolmes$b Susan$01123750 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818001503321 996 $aBritish film and television culture of the 1950s$94038993 997 $aUNINA