LEADER 03649nam 2200577 450 001 9910817919403321 005 20230809230447.0 010 $a3-11-048496-X 010 $a3-11-048621-0 024 7 $a10.1515/9783110486216 035 $a(CKB)3850000000001039 035 $a(MiAaPQ)EBC4855892 035 $a(DE-B1597)467633 035 $a(OCoLC)987921693 035 $a(DE-B1597)9783110486216 035 $a(Au-PeEL)EBL4855892 035 $a(CaPaEBR)ebr11382553 035 $a(OCoLC)987075866 035 $a(EXLCZ)993850000000001039 100 $a20170529h20172017 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aProductive digression $etheorizing practice /$fAnselm Haverkamp 210 1$aBerlin, [Germany] ;$aBoston, [Massachusetts] :$cDe Gruyter,$d2017. 210 4$dİ2017 215 $a1 online resource (234 pages) $cillustrations, tables 225 0 $aParadigms,$x2195-2205 ;$vVolume 5 311 $a3-11-048258-4 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $tFrontmatter -- $tPreface -- $tContents -- $tEquivalence Unbalanced -- $tArt Awaits Its Explanation -- $tThe Scandal of Metaphorology -- $tBlumenberg in Davos -- $tArt is Messianicity: Radical Illustration in the Face of God -- $tThe Phaocentrism of the Eye -- $tConfessio Infirmitatis or Productive Digression -- $tIn/Doors: The Dialectic of Inside and Outside -- $tTo Conceive of, in Pictures -- $tChrist's Case -- $tTo Destroy Painting: The Baroque Caesura of History -- $tChaos by Design -- $tMass Times Acceleration -- $tA Narrow Thing Within One Word -- $tLife in the Sonnets -- $tMirror Effects in Euphantasy Land -- $tIndex of Names 330 $aProductive Digression is a translation of the ancient term poetics: as a practice of theory. The products produced in the mode of poiesis are 'digressive' in that they operate off track; they resist the main stream of every day prose. They do so for various reasons and in various respects. Mostly, they are explained historically, relative to historical contexts and, that is, contrary to what they are meant to resist. Instead, this book investigates the modes of resistance, their epistemology of production, in short, the logic of digression. The method addresses the singular exemplarity of art and literature; it elucidates the impact of poiesis as an epistemological challenge and redefines the analysis of literature and art as branches of an Historical Epistemology. Proceeding from the state of affairs in 20th century criticism and aesthetics (Benjamin, Adorno, Blumenberg, Merleau-Ponty), the epistemology of representation (Whitehead, Canguilhem, Bachelard, Rheinberger) is revised in, and with respect to critical consequences (Derrida, Marin, de Man, Agamben). From literary criticism and critical legal studies to the scenario of the life sciences, the essays collected here redirect the logic of research towards the epistemological grounds of an aesthetics underneath the hermeneutics of every day life. 606 $aSociolinguistics 606 $aPsycholinguistics 610 $aEmergence, memory. 610 $ahyper-reflexivity. 610 $aiconic difference. 610 $alatent vs. manifest. 615 0$aSociolinguistics. 615 0$aPsycholinguistics. 676 $a306.44 700 $aHaverkamp$b Anselm$0184579 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910817919403321 996 $aProductive digression$93962365 997 $aUNINA